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A

MAZE

IN

ZAZAZA ENTERS AZAZAZ

AZAZAZAZAZAZAZZAZAZAZAZAZAZA

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

THE

MAGICALALPHABET

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

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26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

18
THE ENGLISH ALPHABET
-
-
-
1
THE
33
15
6
-
ENGLISH
74
38
2
1
ALPHABET
65
29
2
18
THE ENGLISH ALPHABET
172
82
10
1+8
-
1+7+2
8+2
1+0
9
THE ENGLISH ALPHABET
10
10
10
-
-
1+0
1+0
1+0
9
THE ENGLISH ALPHABET
1
1
1

 

 

BEYOND THE VEIL ANOTHER VEIL ANOTHER VEIL BEYOND

 

 

A

HISTORY OF GOD

Karen Armstrong 1993

The God of the Mystics

Page 250

"Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."

 

Page 250

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT

IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS

THOUGH HE WERE WRITING A BOOK. BUT LANGUAGE HAS BEEN ENTIRELY TRANSFORMED AND THE

MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE HEBREW ALPHABET IS GIVEN

A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING

THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL

CONNOTATIONS OF WORDS

 

 

 

THE SCULPTURE OF VIBRATIONS 1971

 

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

....

 

A
B
C
D
E
F
G
H
I
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
J
K
L
M
N
O
P
Q
R
10
11
12
13
14
15
16
17
18
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
S
T
U
V
W
X
Y
Z
I
19
20
21
22
23
24
25
26
9
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
ME
1
2
3
4
5
6
7
8
9
 =
 =
 =
 =
 =
 =
 =
 =
=
 =
 =
 =
 =
 =
 =
 =
 =
=
I
ME
I
ME
I
ME
I
ME
I
9
18
9
18
9
18
9
18
9
=
1+8
=
1+8
=
1+8
=
1+8
=
=
9
=
9
=
9
=
9
=
I
ME
I
ME
I
ME
I
ME
1
9
9
9
9
9
9
9
9
9
I
ME
I
ME
I
ME
I
ME
1

 

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

 

LIGHT AND LIFE

Lars Olof Bjorn 1976

Page 197

"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

"FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE"

 

DNA AND DNA DNA AND DNA DNA AND DNA

DNA AND DNA DNA AND DNA DNA AND DNA

 

 

 

A QUEST FOR THE BEGINNING AND THE END

Graham Hancock 1995

Chapter 32

Speaking to the Unborn

Page 285

"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?

A message in the bottle of time

'Of all the other stupendous inventions,' Galileo once remarked,

what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3

If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."

"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"

"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"

 

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
-
-
-
-
-
-
-
-
-
1+0
1+1
1+2
1+3
1+4
1+5
1+6
1+7
1+8
1+9
2+0
2+1
2+2
2+3
2+4
2+5
2+6
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

 

 

THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY

THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE

AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED

THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

 

26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
8
9
-
-
-
-
5
6
-
-
-
1
-
-
-
-
6
-
8
+
=
43
4+3
=
7
-
7
-
7
-
-
-
-
-
-
-
-
8
9
-
-
-
-
14
15
-
-
-
19
-
-
-
-
24
-
26
+
=
115
1+1+5
=
7
-
7
-
7
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
-
-
1
2
3
4
-
-
7
8
9
-
2
3
4
5
-
7
-
+
=
83
8+3
=
11
1+1
2
-
2
-
1
2
3
4
5
6
7
-
-
10
11
12
13
-
-
16
17
18
-
20
21
22
23
-
25
-
+
=
236
2+3+6
=
11
1+1
2
-
2
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
+
=
351
3+5+1
=
9
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
+
=
126
1+2+6
=
9
-
9
-
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
-
1
-
-
-
-
-
-
-
+
=
1
occurs
x
3
=
3
-
3
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
-
-
2
-
-
-
-
-
-
+
=
2
occurs
x
3
=
6
-
6
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
-
-
-
3
-
-
-
-
-
+
=
3
occurs
x
3
=
9
-
9
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
-
-
-
-
4
-
-
-
-
+
=
4
occurs
x
3
=
12
1+2
3
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
-
-
-
-
-
5
-
-
-
+
=
5
occurs
x
3
=
15
1+5
6
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
-
-
-
-
-
-
6
-
-
+
=
6
occurs
x
3
=
18
1+8
9
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
-
-
-
-
-
-
-
7
-
+
=
7
occurs
x
3
=
21
2+1
3
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
-
-
-
-
-
-
-
-
8
+
=
8
occurs
x
3
=
24
2+4
6
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
+
=
9
occurs
x
2
=
18
1+8
9
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
45
-
-
26
-
126
-
54
-
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
-
-
-
4+5
-
-
2+6
-
1+2+6
-
5+4
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9
-
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
-
-
-
-
-
-
-
-
-
-
26
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
-
-
9
-
-
8
-
9
-
9

 

 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 351 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 126 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z = 9 = Z Y X W V U T S R Q P O N M L K J I H G F E D C B A

 

 

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 351 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 126 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

ABCDEFGH I JKLMNOPQ R STUVWXYZ = 9 = ZYXWVUTS R QPONMLKJ I HGFEDCBA

 

....

 

THE LIGHT IS RISING NOW RISING IS THE LIGHT

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
-
5
ADDED
18
18
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
2
TO
35
8
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
ALL
25
7
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
5
MINUS
76
22
4
-
-
-
-
4
-
-
-
-
-
N
=
5
-
4
NONE
48
21
3
-
-
-
3
-
-
-
-
-
-
S
=
1
-
6
SHARED
55
28
1
-
1
-
-
-
-
-
-
-
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
E
=
5
-
10
EVERYTHING
133
61
7
-
-
-
-
-
-
-
7
-
-
M
=
4
-
10
MULTIPLIED
121
49
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
A
=
1
-
9
ABUNDANCE
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
35
-
58
First Total
626
266
59
-
1
2
3
8
5
6
14
8
18
-
-
3+5
-
5+8
Add to Reduce
6+2+6
2+6+6
5+9
-
-
-
-
-
-
-
1+4
-
1+8
-
-
8
-
13
Second Total
14
14
14
-
1
2
3
8
5
6
5
8
9
-
-
-
-
1+3
Reduce to Deduce
1+4
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
8
-
4
Essence of Number
5
5
5
-
1
2
3
8
5
6
5
8
9

 

 

EVOLVE LOVE EVOLVE

LOVE SOLVES LOVE

EVOLVE LOVE EVOLVE

 

 

 

 

THE DEATH OF GODS IN ANCIENT EGYPT

Jane B. Sellars 1992

Page 204

The overwhelming awe that accompanies the realization, of the measurable orderliness of the universe strikes modern man as well. Admiral Weiland E. Byrd, alone In the Antarctic for five months of polar darkness, wrote these phrases of intense feeling:

Here were the imponderable processes and forces of the cosmos, harmonious and soundless. Harmony, that was it! I could feel no doubt of oneness with the universe. The conviction came that the rhythm was too orderly, too harmonious, too perfect to be a product of blind chance - that, therefore there must be purpose in the whole and that man was part of that whole and not an accidental offshoot. It was a feeling that transcended reason; that went to the heart of man's despair and found it groundless. The universe was a cosmos, not a chaos; man was as rightfully a part of that cosmos as were the day and night.10

Returning to the account of the story of Osiris, son of Cronos god of' Measurable Time, Plutarch takes, pains to remind the reader of the original Egyptian year consisting of 360 days.

Phrases are used that prompt simple mental. calculations and an attention to numbers, for example, the 360-day year is described as being '12 months of 30 days each'. Then we are told that, Osiris leaves on a long journey, during which Seth, his evil brother, plots with 72 companions to slay Osiris: He also secretly obtained the measure of Osiris and made ready a chest in which to entrap him.

The, interesting thing about this part of the-account is that nowhere in the original texts of the Egyptians are we told that Seth, has 72 companions. We have already been encouraged to equate Osiris with the concept of measured time; his father being Cronos. It is also an observable fact that Cronos-Saturn has the longest sidereal period of the known planets at that time, an orbit. of 30 years. Saturn is absent from a specific constellation for that length of time.

A simple mathematical fact has been revealed to any that are even remotely sensitive to numbers: if you multiply 72 by 30, the years of Saturn's absence (and the mention of Osiris's absence prompts one to recall this other), the resulting product is 2,160: the number of years required, for one 30° shift, or a shift: through one complete sign of the zodiac. This number multplied by the / Page205 / 12 signs also gives 25,920. (And Plutarch has reminded us of 12)

If you multiply the unusual number 72 by 360, a number that Plutarch mentions several times, the product will be 25,920, again the number of years symbolizing the ultimate rebirth.

This 'Eternal Return' is the return of, say, Taurus to the position of marking the vernal equinox by 'riding in the solar bark with. Re' after having relinquished this honoured position to Aries, and subsequently to the to other zodiacal constellations.

Such a return after 25,920 years is indeed a revisit to a Golden Age, golden not only because of a remarkable symmetry In the heavens, but golden because it existed before the Egyptians experienced heaven's changeability.

But now to inform the reader of a fact he or she may already know. Hipparaus did: not really have the exact figures: he was a trifle off in his observations and calculations. In his published work, On the Displacement of the Solstitial and Equinoctial Signs, he gave figures of 45" to 46" a year, while the truer precessional lag along the ecliptic is about 50 seconds. The exact measurement for the lag, based on the correct annual lag of 50'274" is 1° in 71.6 years, or 36in 25,776 years, only 144 years less than the figure of 25,920.

With Hipparchus's incorrect figures a 'Great Year' takes from 28,173.9 to 28,800 years, incorrect by a difference of from 2,397.9 years to 3,024.

Since Nicholas Copernicus (AD 1473-1543) has always been credited with giving the correct numbers (although Arabic astronomer Nasir al-Din Tusi,11 born AD 1201, is known to have fixed the Precession at 50°), we may correctly ask, and with justifiable astonishment 'Just whose information was Plutarch transmitting'

AN IMPORTANT POSTSCRIPT

Of course, using our own notational system, all the important numbers have digits that reduce to that amazing number 9 a number that has always delighted budding mathematician.

Page 206

Somewhere along the way, according to Robert Graves, 9 became the number of lunar wisdom.12

This number is found often in the mythologies of the world. the Viking god Odin hung for nine days and nights on the World Tree in order to acquire the secret of the runes, those magic symbols out of which writing and numbers grew. Only a terrible sacrifice would give away this secret, which conveyed upon its owner power and dominion over all, so Odin hung from his neck those long 9 days and nights over the 'bottomless abyss'. In the tree were 9 worlds, and another god was said to have been born of 9 mothers.

Robert Graves, in his White Goddess, Is intrigued by the seemingly recurring quality of the number 72 in early myth and ritual. Graves tells his reader that 72 is always connected with the number 5, which reflects, among other things, the five Celtic dialects that he was investigating. Of course, 5 x 72= 360, 360 x 72= 25,920. Five is also the number of the planets known to the ancient world, that is, Saturn, Jupiter, Mars, Venus Mercury.

Graves suggests a religious mystery bound up with two ancient Celtic 'Tree Alphabets' or cipher alphabets, which as genuine articles of Druidism were orally preserved and transmitted for centuries. He argues convincingly that the ancient poetry of Europe was ultimately based on what its composers believed to be magical principles, the rudiments of which formed a close religious secret for centuries. In time these were-garbled, discredited and forgotten.

Among the many signs of the transmission of special numbers he points out that the aggregate number of letter strokes for the complete 22-letter Ogham alphabet that he is studying is 72 and that this number is the multiple of 9, 'the number of lunar wisdom'. . . . he then mentions something about 'the seventy day season during which Venus moves successively from. maximum eastern elongation 'to inferior conjunction and maximum western elongation'.13

Page 207

"...Feniusa Farsa, Graves equates this hero with Dionysus. Farsa has 72 assistants who helped him master the 72 languages created at the confusion of Babel, the tower of which is said to be built of 9 different materials

We are also reminded of the miraculous translation into Greek of the Five Books of Moses that was done by 72 scholars working for 72 days, Although the symbol for the Septuagint is LXX, legend, according to the fictional letter of Aristeas, records 72. The translation was done for Ptolemy Philadelphus (c.250 BC), by Hellenistic Jews, possibly from Alexandra.14

Graves did not know why this number was necessary, but he points out that he understands Frazer's Golden Bough to be a book hinting that 'the secret involves the truth that the Christian dogma, and rituals, are the refinement of a great body of primitive beliefs, and that the only original element in Christianity- is the personality of Christ.15

Frances A. Yates, historian of Renaissance hermetisma tells, us the cabala had 72 angels through which the sephiroth (the powers of God) are believed to be approached, and further, she supplies the information that although the Cabala supplied a set of 48 conclusions purporting to confirm the Christian religion from the foundation of ancient wisdom, Pico Della Mirandola, a Renaissance magus, introduced instead 72, which were his 'own opinion' of the correct number. Yates writes, 'It is no accident there are seventy-two of Pico's Cabalist conclusions, for the conclusion shows that he knew something of the mystery of the Name of God with seventy-two letters.'16

In Hamlet's Mill de Santillana adds the facts that 432,000 is the number of syllables in the Rig-Veda, which when multiplied by the soss (60) gives 25,920" (The reader is forgiven for a bit of laughter at this point)

The Bible has not escaped his pursuit. A prominent Assyriologist of the last century insisted that the total of the years recounted mounted in Genesis for the lifetimes of patriarchs from the Flood also contained the needed secret numbers. (He showed that in the 1,656 years recounted in the Bible there are 86,400 7 day weeks, and dividing this number yields / Page 208 / 43,200.) In Indian yogic schools it is held that all living beings exhale and inhale 21,600 times a day, multiply this by 2 and again we have the necessary 432 digits.

Joseph Campbell discerns the secret in the date set for the coming of Patrick to Ireland. Myth-gives this date-as-the interesting number of AD.432.18

Whatever one may think-of some of these number coincidences, it becomes difficult to escape the suspicion that many signs (number and otherwise) - indicate that early man observed the results of the movement of Precession and that the - transmission of this information was considered of prime importance.

With the awareness of the phenomenon, observers would certainly have tried for its measure, and such an endeavour would have constituted the construction-of a 'Unified Field Theory' for nothing less than Creation itself. Once determined, it would have been information worthy of secrecy and worthy of the passing on to future adepts.

But one last word about mankind's romance with number coincidences.The antagonist in John Updike's novel, Roger's Version, is a computer hacker, who, convinced, that scientific evidence of God's existence is accumulating, endeavours to prove it by feeding -all the available scientific information. into a comuter. In his search for God 'breaking, through', he has become fascinated by certain numbers that have continually been cropping up. He explains them excitedly as 'the terms of Creation':

"...after a while I noticed that all over the sheet there seemed to hit these twenty-fours Jumping out at me. Two four; two, four. Planck time, for instance, divided by the radiation constant yields a figure near eight times ten again to the negative twenty-fourth, and the permittivity of free space, or electric constant, into the Bohr radius ekla almost exactly six times ten to the negative twenty-fourth. On positive side, the electromagnetic line-structure constant times Hubble radius - that is, the size of the universe as we now perceive it gives us something quite close to ten to the twenty-fourth, and the strong-force constant times the charge on the proton produces two point four times ten to the negative eighteenth, for another I began to circle twenty-four wherever it appeared on the Printout here' - he held it up his piece of stripped and striped wallpaper, decorated / Page 209 / with a number of scarlet circles - 'you can see it's more than random.'19
This inhabitant of the twentieth century is convinced that the striking occurrences of 2 and 4 reveal the sacred numbers by which God is speaking to us.

So much for any scorn directed to ancient man's fascination with number coincidences. That fascination is alive and well, Just a bit more incomprehensible"

 

 

THE

FAR YONDER SCRIBE

AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE

THE

ZED ALIZ ZED

IN

SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS

 

 

IN OUR TIME

Last broadcast on Thu, 18 Dec 2003, 21:30 on BBC Radio 4

"Melvyn Bragg and guests discuss the feat of astonishing intellectual engineering which provides us with millions of words in hundreds of languages. At the start of the twentieth century, in the depths of an ancient Egyptian turquoise mine on the Sinai peninsular, an archaeologist called Sir Flinders Petrie made an exciting discovery. Scratched onto rocks, pots and portable items, he found scribblings of a very unexpected but strangely familiar nature. He had expected to see the complex pictorial hieroglyphic script the Egyptian establishment had used for over 1000 years, but it seemed that at this very early period, 1700 BC, the mine workers and Semitic slaves had started using a new informal system of graffiti, one which was brilliantly simple, endlessly adaptable and perfectly portable: the Alphabet. This was probably the earliest example of an alphabetic script and it bears an uncanny resemblance to our own.

Did the alphabet really spring into life almost fully formed? How did it manage to conquer three quarters of the globe? And despite its Cyrillic and Arabic variations and the myriad languages it has been used to write, why is there essentially only one alphabet anywhere in the world?"

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
E
=
5
-
7
ENGLISH
74
38
2
-
-
2
-
-
-
-
-
-
-
A
=
1
-
8
ALPHABET
65
29
2
-
-
2
-
-
-
-
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
L
=
3
-
6
LETTER
80
26
8
-
-
-
-
-
-
-
-
8
-
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
-
-
-
-
N
=
5
-
6
NUMBER
73
28
1
-
1
-
-
-
-
-
-
-
-
-
-
23
-
35
First Total
365
158
23
-
2
4
3
4
5
6
7
8
9
-
-
2+3
-
3+5
Add to Reduce
3+6+5
1+5+8
2+3
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
Second Total
14
14
5
-
2
4
3
4
5
6
7
8
9
-
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
Essence of Number
5
5
5
-
2
4
3
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
6
8
T
=
2
-
3
THE
33
15
6
-
-
-
-
6
-
E
=
5
-
7
ENGLISH
74
38
2
-
-
2
-
-
-
A
=
1
-
8
ALPHABET
65
29
2
-
-
2
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
L
=
3
-
6
LETTER
80
26
8
-
-
-
-
-
8
A
=
1
-
3
AND
19
10
1
-
1
-
-
-
-
N
=
5
-
6
NUMBER
73
28
1
-
1
-
-
-
-
-
-
23
-
35
First Total
365
158
23
-
2
4
3
6
8
-
-
2+3
-
3+5
Add to Reduce
3+6+5
1+5+8
2+3
-
-
-
-
-
-
-
-
5
-
8
Second Total
14
14
5
-
2
4
3
6
8
-
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
-
-
-
-
-
-
5
-
8
Essence of Number
5
5
5
-
2
4
3
6
8

 

 

THE

MAGICAL ALPHABET

TALKING LETTERS TALKING NUMBERS TALKING LETTERS

TALKING LANGUAGE TALKING

IS THAT IS

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
THE MAGICAL ALPHABET
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
7
MAGICAL
46
28
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
8
ALPHABET
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
7
-
18
THE MAGICAL ALPHABET
144
72
9
-
-
-
-
-
-
-
-
-
9
-
-
-
-
1+8
-
1+4+4
7+2
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
9
THE MAGICAL ALPHABET
9
9
9
-
1
2
3
4
5
6
7
8
9

 

BALANCING 1234 5 6789 BALANCING

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
7
MAGICAL
46
28
1
-
1
-
-
-
-
-
-
-
-
A
=
1
-
8
ALPHABET
65
29
2
-
-
2
-
-
-
-
-
-
-
-
-
7
-
18
-
144
17
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
7
TALKING
74
29
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
7
LETTERS
99
27
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
7
TALKING
74
29
2
-
-
2
-
-
-
-
-
-
-
N
=
5
-
7
NUMBERS
92
29
2
-
-
2
-
-
-
-
-
-
-
T
=
2
-
7
TALKING
74
29
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
7
LETTERS
99
27
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
7
TALKING
74
29
2
-
-
2
-
-
-
-
-
-
-
L
=
3
-
8
LANGUAGE
68
32
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
7
TALKING
74
29
2
-
-
2
-
-
-
-
-
-
-
-
-
23
-
64
-
728
269
35
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
-
6
THAT
49
13
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
-
-
20
-
10
-
105
33
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
23
-
35
First Total
977
365
50
-
3
14
5
4
5
6
7
8
9
-
-
2+3
-
3+5
Add to Reduce
9+7+7
3+6+5
5+0
-
-
1+4
-
-
-
-
-
-
1+4
-
-
5
-
8
Second Total
23
14
5
-
3
5
5
4
5
6
7
8
9
-
-
-
-
-
Reduce to Deduce
2+3
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
8
Essence of Number
5
5
5
-
3
5
5
4
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
4
5
6
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
6
-
M
=
4
-
7
MAGICAL
46
28
1
-
1
-
-
-
-
-
A
=
1
-
8
ALPHABET
65
29
2
-
-
2
-
-
-
-
-
-
7
-
18
-
144
17
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
-
7
TALKING
74
29
2
-
-
2
-
-
-
-
L
=
3
-
7
LETTERS
99
27
9
-
-
-
-
-
-
9
T
=
2
-
7
TALKING
74
29
2
-
-
2
-
-
-
-
N
=
5
-
7
NUMBERS
92
29
2
-
-
2
-
-
-
-
T
=
2
-
7
TALKING
74
29
2
-
-
2
-
-
-
-
L
=
3
-
7
LETTERS
99
27
9
-
-
-
-
-
-
9
T
=
2
-
7
TALKING
74
29
2
-
-
2
-
-
-
-
L
=
3
-
8
LANGUAGE
68
32
5
-
-
-
-
5
-
-
T
=
2
-
7
TALKING
74
29
2
-
-
2
-
-
-
-
-
-
23
-
64
-
728
269
35
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
T
=
2
-
6
THAT
49
13
4
-
-
-
4
-
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
20
-
10
-
105
33
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
23
-
35
First Total
977
365
50
-
3
14
4
5
6
9
-
-
2+3
-
3+5
Add to Reduce
9+7+7
3+6+5
5+0
-
-
1+4
-
-
-
1+4
-
-
5
-
8
Second Total
23
14
5
-
3
5
4
5
6
9
-
-
-
-
-
Reduce to Deduce
2+3
1+4
-
-
-
-
-
-
-
-
-
-
5
-
8
Essence of Number
5
5
5
-
3
5
4
5
6
9

 

 

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Page 5

"One...two...three....My eye went over the figures. Suddenly I saw something. There were hidden patterns; the old man's story about secret numbers came back to me and I became curious. I started to look into these simple ideas and the more I searched the more fascinated I became. Something was indeed going on underneath the surface of arithmetic and what appeared as a unique calculation to the outside / Page 6 / world was something quite different when viewed from below. Looked at another way, six and six was not necessarily twelve but something much more exciting - the number 3, of a secret code..."

Page 5

"...The thing to do is to follow the path until all the clues are in place and let your mind run free. It is only then that you find what the young master saw: the fixed points in the wind."

"...it is in this spirit I dedicate the journey to you. Follow the clues, build up the jigsaw piece by piece and make your own investigations; become part of the search. Go back in time and let the free spirit in you enter. Talk to it, play ask the strangest questions.
Start to count again in the simplest of ways, one, two, three, four...up to nine.

 

 

THE

MESSAGE OF CREATION IS CLEAR EACH LETTER

OF

THE

ALPHABET

IS

GIVEN

A

NUMERICAL

VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS

REARRANGING THEM IN ENDLESS CONFIGURATIONS

THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
7
MESSAGE
69
24
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
C
=
3
-
8
CREATION
85
40
4
-
-
-
-
4
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
C
=
3
-
5
CLEAR
39
21
3
-
-
-
3
-
-
-
-
-
-
E
=
5
-
4
EACH
17
17
8
-
-
-
-
-
-
-
-
8
-
L
=
3
-
6
LETTER
80
26
8
-
-
-
-
-
-
-
-
8
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
A
=
1
-
8
ALPHABET
65
29
2
-
-
2
-
-
-
-
-
-
-
I
=
9
-
2
IS
28
10
1
-
1
-
-
-
-
-
-
-
-
G
=
7
-
5
GIVEN
57
30
3
-
-
-
3
-
-
-
-
-
-
A
=
1
-
1
A
1
1
1
-
1
-
-
-
-
-
-
-
-
N
=
5
-
9
NUMERICAL
96
42
6
-
-
-
-
-
-
6
-
-
-
V
=
4
-
5
VALUE
62
17
8
-
-
-
-
-
-
-
-
8
-
B
=
2
-
2
BY
27
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
-
9
COMBINING
86
50
5
-
-
-
-
-
5
-
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
L
=
3
-
7
LETTERS
99
27
9
-
-
-
-
-
-
-
-
-
9
W
=
5
-
4
WITH
60
24
6
-
-
-
-
-
-
6
-
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
S
=
1
-
6
SACRED
50
23
5
-
-
-
-
-
5
-
-
-
-
N
=
5
-
7
NUMBERS
92
29
2
-
-
2
-
-
-
-
-
-
-
-
-
93
-
230
-
1215
513
117
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
R
=
3
-
11
REARRANGING
112
67
4
-
-
-
-
4
-
-
-
-
-
T
=
2
-
4
THEM
46
19
1
-
1
-
-
-
-
-
-
-
-
I
=
9
-
2
IN
23
14
5
-
-
-
-
-
5
-
-
-
-
E
=
5
-
7
ENDLESS
78
24
6
-
-
-
-
-
-
6
-
-
-
C
=
3
-
14
CONFIGURATIONS
171
72
9
-
-
-
-
-
-
-
-
-
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
6
MYSTIC
89
26
8
-
-
-
-
-
-
-
-
8
-
W
=
5
-
6
WEANED
52
25
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
M
=
4
-
4
MIND
40
22
4
-
-
-
-
4
-
-
-
-
-
A
=
2
-
4
AWAY
50
14
5
-
-
-
-
-
5
-
-
-
-
F
=
6
-
4
FROM
52
25
7
-
-
-
-
-
-
-
7
-
-
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
6
-
-
-
N
=
5
-
6
NORMAL
73
28
1
-
1
-
-
-
-
-
-
-
-
C
=
3
-
12
CONNOTATIONS
159
51
6
-
-
-
-
-
-
6
-
-
-
O
=
6
-
2
OF
21
12
3
-
-
-
3
-
-
-
-
-
-
W
=
5
-
5
WORDS
79
25
7
-
-
-
-
-
-
-
7
-
-
-
-
75
-
96
-
1144
469
91
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
89
-
102
First Total
2359
982
208
-
5
4
15
12
20
72
21
32
27
-
-
8+9
-
1+0+2
Add to Reduce
2+3+5+9
9+8+2
2+0+8
-
-
-
1+5
1+2
2+0
7+2
2+1
3+2
2+7
-
-
17
-
3
Second Total
19
19
10
-
5
4
6
3
2
9
3
5
9
-
-
1+7
-
-
Reduce to Deduce
1+9
1+9
1+0
-
-
-
-
-
-
-
-
-
-
-
-
8
-
3
Third Total
10
10
1
-
5
4
6
3
2
9
3
5
9
-
-
1+7
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
8
-
3
Essence of Number
1
1
1
-
5
4
6
3
2
9
3
5
9

 

 

FINGERPRINTS OF THE GODS
 

G Hancock1995

Page 287

"What one would look for, therefore, would be a universal language"

 "WHAT ONE WOULD LOOK FOR, THEREFORE, WOULD BE A UNIVERSAL LANGUAGE"

 

 

LIGHT AND LIFE

  Lars Olof Bjorn
 
1976

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

(THIS BOOK IS WRITTEN WITH THE SAME LETTERS AS THE ENCYCLOPAEDIA BRITANNICA AND WINNIE THE POOH, ONLY THE ORDER OF THE LETTERS DIFFERS).

IN THE SAME WAY NATURE IS ABLE TO CONVEY WITH HER LANGUAGE HOW A CELL AND A WHOLE ORGANISM IS TO BE CONSTRUCTED AND HOW IT IS TO FUNCTION. NATURE HAS SUCCEEDED BETTER THAN WE HUMANS; FOR THE GENETIC CODE THERE IS ONLY ONE UNIVERSAL LANGUAGE WHICH IS THE SAME IN A MAN, A BEAN PLANT AND A BACTERIUM.

 
THE DNA MESSAGE IN A HUMAN CELL COMPRISES ABOUT
 

1 000 000 000 'LETTERS'."

 

 AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA AND DNA

"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER

ONE MAY PUT DOWN ALMOST ANY MESSAGE"

 

 

Hannah, can you hear me? Wherever you are, look up, Hannah.

The clouds are lifting. The sun is breaking through.

We are coming out of the darkness into the light.

We are coming into a new world, a kindlier world, where men will rise above their hate, their greed and brutality.

Look up, Hannah. The soul of man has been given wings, and at last he is beginning to fly.

He is flying into the rainbow - into the light of hope, into the future,

the glorious future that belongs to you, to me, and to all of us. Look up, Hannah. Look up.

Charlie Chaplin Great Dictator "Look up Hannah" Speech 1940

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Cycles and Patterns

Page 165

Patterns

"The essence of mathematics is to look for patterns.

Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.

These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!

Searching out patterns is a pure delight.

Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.

And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."

 

 

NUMBER

9

THE SEARCH FOR THE SIGMA CODE

Cecil Balmond 1998

Page 32

5


To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.

 

 

THE

BALANCING

ONE TWO THREE FOUR

FIVE

NINE EIGHT SEVEN SIX

 

O
=
15
-
3
ONE
34
16
7
-
1
T
=
20
-
3
TWO
58
13
4
-
2
T
=
20
-
5
THREE
56
29
2
-
3
F
=
6
-
4
FOUR
60
24
6
-
4
-
-
61
-
15
Add
208
82
19
-
10
-
-
6+1
-
1+5
Reduce
2+0+8
8+2
1+9
-
1+0
-
-
7
-
6
Reduce
10
10
10
-
1
-
-
-
-
-
Deduce
1+0
1+0
1+0
-
-
-
-
7
-
6
Essence
1
1
1
-
1

 

 

N
=
14
-
4
NINE
42
24
6
-
9
E
=
5
-
5
EIGHT
49
31
4
-
8
S
=
19
-
5
SEVEN
65
20
2
-
7
S
=
19
-
3
SIX
52
16
7
-
6
-
-
57
-
17
Add
208
91
19
-
30
-
-
5+7
-
1+7
Reduce
2+0+8
9+1
1+9
-
3+0
-
-
12
-
8
Reduce
10
10
10
-
3
-
-
1+2
-
-
Deduce
1+0
1+0
1+0
-
-
-
-
3
-
8
Essence
1
1
1
-
3

 

 

4
FIVE
42
24
6

 

1 2 3 4 5 6 7 8 9

9 8 7 6 5 4 3 2 1

 

15
ONE TWO THREE FOUR
208
82
1
4
FIVE
42
24
6
17
NINE EIGHT SEVEN SIX
208
91
1

 

 

3
ONE
34
16
7
-
3
SIX
52
16
7
3
TWO
58
13
4
-
5
SEVEN
65
20
2
5
THREE
56
29
2
-
5
EIGHT
49
31
4
4
FOUR
60
24
6
-
4
NINE
42
24
6
15
Add
208
82
19
-
17
Add
208
91
19
1+5
Reduce
2+0+8
8+2
1+9
-
1+7
Reduce
2+0+8
9+1
1+9
6
Reduce
10
10
10
-
8
Reduce
10
10
10
-
Deduce
1+0
1+0
1+0
-
-
Deduce
1+0
1+0
1+0
6
Essence
1
1
1
-
8
Essence
1
1
1

 

4
ZERO
64
28
1

 

1
3
ONE
34
16
7
2
3
TWO
58
13
4
3
5
THREE
56
29
2
4
4
FOUR
60
24
6
5
4
FIVE
42
24
6
6
3
SIX
52
16
7
7
5
SEVEN
65
20
2
8
5
EIGHT
49
31
4
9
4
NINE
42
24
6
45
36
Add
458
197
44
4+5
3+6
Reduce
4+5+8
1+9+7
4+4
9
9
Reduce
17
17
8
-
-
Deduce
1+7
1+7
-
9
9
Essence
8
8
8

 

 

1
6
ONE
34
16
7
2
2
TWO
58
13
4
3
2
THREE
56
29
2
4
6
FOUR
60
24
6
5
6
FIVE
42
24
6
6
1
SIX
52
16
7
7
1
SEVEN
65
20
2
8
5
EIGHT
49
31
4
9
5
NINE
42
24
6
45
34
Add
458
197
44
4+5
3+4
Reduce
4+5+8
1+9+7
4+4
9
7
Reduce
17
17
8
-
-
Deduce
1+7
1+7
-
9
7
Essence
8
8
8

 

 

0
8
ZERO
64
28
1
1
6
ONE
34
16
7
2
2
TWO
58
13
4
3
2
THREE
56
29
2
4
6
FOUR
60
24
6
5
6
FIVE
42
24
6
6
1
SIX
52
16
7
7
1
SEVEN
65
20
2
8
5
EIGHT
49
31
4
9
5
NINE
42
24
6
45
42
Add
522
225
45
4+5
4+2
Reduce
5+2+2
2+2+5
4+5
9
6
Deduce
9
9
9

 

 

....

 

1ONE18EIGHT88EIGHT88EIGHT88EIGHT88EIGHT88EIGHT88EIGHT88EIGHT83THREE33THREE33THREE36SIX66SIX66SIX6SIX66SIX66SIX6

 

 

KEEPER OF GENESIS

A QUEST FOR THE HIDDEN LEGACY OF MANKIND

Robert Bauval Graham Hancock1996

Chapter 14

Space-Time Co-ordinates

Becoming equipped

Page 232

The Utterances conventionly numbered 471, 472 and 473 in the" ancient Egyptian Pyramid Texts contain information of an extraordinary nature. In view of the importance of this information,we set it out in full below:

I am the essence of a god, the son of'a god, the messenger of a god. [says the Horus-King]. The Followers of Horus cleanse me, they bathe me, they dry me, they recite for me the Spell [formula] for Him who is on the Rightway, they recite for me the Spell of Him who Ascends, and I ascend to the sky.

I will go aboard this-Bark of Re [the Solar Bark] ... Every god will /Page 233/ rejoice at meeting, me as they rejoice at meeting Re [the-sun] when he ascends from the eastern side of the sky inpeace, in peace.

The sky quivers, the earth quakes before me, for I am a magician, I possess magic . . . I have come that I may glorify Orion; that I may set Osiris at the head, that I may set the godsupon their thrones.

O Mahaf, Bull of the gods [Taurus-Hyades], bring me this [solar bark] and set me on yonder side . . . The reed-floats of the sky are set down for me by the day-bark that I [the solar Horus-King] may go up to them to Re at the Horizon. The reed floats of the sky are brought down to me by the night bark that I may go up on them to Horakhti at the Horizon. I go up to the eastern side of the sky where the gods are born, and I am born as Horus, as Him of the Horizon . . . I have found the Akhus with their mouths equipped . . .

'Who are you?' say they [the Akhus], with their mouths equipped.

I am an Akhu with my mouth equipped,'

'How has this happened to you,' say they, the Akhus with-their with their mouths equipped, 'that you have come to-this place more noble than any place?'

'I have come to this place more noble than any place because: The reed-floats of the sky were set down- for Re [the sun disc and the emblem of the Horus- King] that Re might-cross [the Milky Way] on them to Horakhti at the Horizon . . . '8

These Utterances appear to describe an important part of the Horus­King's initiatory journey - an ordeal of questions and answers based on astronomical science - wrapped.up in esoteric symbols. The inquisitors are the 'Followers of Horus', also .known as the Akhus (the 'Venerables', the 'Shining Ones', the 'Transfigured Spirits', etc., etc.). Moreover, as we would expect, the Horus-Kings cosmic journey begins in the Taurus-Hyades region of the sky, on the right bank of the Milky Way and-proceeds along the ecliptic path to end at Leo i.e. 'Horakhti', at the horizon. Here, at this place more noble than any place', the Akhus greet him - indeed he claims to have become an Akhu himself - and give him the final, instructions or directions that he will need to complete his quest.

What we have to consider is the possibility that these, final instructions might somehow have 'equipped' the Horus-King 'to make the necessary journey back in time, to the 'First Time' and-into the cosmic Kingdom of Osiris when sky and ground were united in perfect harmony."

 

 

WHO ARE YOU SAY THEY THE AKHUS WITH THEIR MOUTH EQUIPPED

?

I

AM AN AKHU WITH MY MOUTH EQUIPPED

 

 

I
=
9
-
1
I
9
9
9
A
=
1
-
2
AM
14
5
5
A
=
1
-
2
AN
15
6
6
A
=
1
-
4
AKHU
41
15
6
W
=
5
-
4
WITH
60
24
6
M
=
4
-
2
MY
38
11
2
M
=
4
-
5
MOUTH
77
23
5
E
=
5
-
8
EQUIPPED
93
48
3
B
-
30
-
28
First Total
347
140
41
-
-
3+0
-
2+8
Add to Reduce
3+4+7
1+4+0
4+1
-
-
3
-
10
Second Total
14
5
5
-
-
-
-
1+0
Reduce to Deduce
1+4
-
-
-
-
3
-
1
Essence of Number
5
5
5

 

Page 219

"Akhu, meaning variously, the'Shining Ones', the 'Star people' or the 'Venerables'. In this way they will lead us back to the trail of the 'Followers of Horus' and to the notion that for thousands of years - spanning both the prehistoric and the historic periods - the members of a hidden academy may have been at work behind the scenes in Egypt, observing the stars with scientific rigour and manipulating men and events according to a celestial timetable . . ."

Page 244

Secret spell

We suspect that for thousands of years before the Pyramid Age, hundreds of generations of Heliopolitan astronomer priests had kept the constellation of' Orion continuously under observation, paying particular attention to its place of meridian-transit - i.e. the altitude above the horizon at which it crossed the celestial meridian. We think that careful records were kept, perhaps written, perhaps orally encoded in the ancient 'mythological' language of precessional astronomy.20 And we suppose that note was taken of Orion's slow precessional drift - the effect of which was that the constellation would have seemed to be slowly drifting northwards along the west 'bank' of the Milky Way.

It is our hypothesis that the mythical image of the vast.body of Osiris slowly being.carried to the north, 'i.e.'drifting' on the waters of the Nile, is a specific piece of astronomical terminology coined to describe the long-terrn changes being effected' by precession in Orion's celestial, 'address'. In the Mephite Theology.as the reader will recall, this drift was depicted as havig commenced in the south, symbolically called Abydos (in archaeological 'terms the. most southerly 'shrine' of Osiris), and to have carried the 'body' of'the dead god to a point in the north symbolically called Sokar, i.e. the Memphite necropolis (the most northerly shrine: of Osiris), As we saw in Part III, the Shabaka Texts tell Us that when he reached this point:

Osiris was drowned in his water. Isis and Nepthys looked out, beheld him, and attended to him, Horus quickly commanded Isis and Nepthys to grasp Osiris and prevent his [submerging]. They heeded in time and brought him to land. He entered the hidden portals in the glory of the Lords of Eternity. Thus Osiris came.into.the earth at the Royal Fortress [Memphisj, to the north 'Of the land to which he had come [Abydos].21.

In the light of what we now know it is hard to-imagine that the reference to Osiris coming 'into the earth' (or down to earth?) could signify anything other than the physical construction of the body of Osiris on the ground' on the west banks of the Nile - in the form of the great Pyramid-fields of the sprawling Memphite necropolis. Since Osiris is Orion the desire to achieve such an effect would more than adequately explain why the, three Pyramids of Giza should have been arranged in the pattern of.the three stars of Orion's belt. Moreover, since we know that the stated goal of the Horus-King's quest was not only to find the astral 'body' of Osiris but to find it as it was in the 'First Time', we should not be .surprised by the fact that the Pyramids, as we saw in Part I, are set out on the ground in the pattern /Page246/that they made at the beginning (i.e. 'southernmost point') of that constellation's upward (i.e. 'northerly') precessional half-cycle.

So we wonder whether it is possible that the quest of the Horus­ King might have had as its ultimate objective the acquisition of knowledge concerning the 'First Time' - perhaps even the acquisition of specific knowledge from that remote epoch when the gods had walked the earth?

Several passages in the Pyramid Texts invite such speculation, For example, we.are told that the Horus-King must 'travel upstream' - i.e. must push against the natural drift of 'time' - in order to reach Orion-Osiris in his proper 'First Time' setting:

Betake yourself to the Waterway, fare upstream [south], travel about Abydos ill this spirit-form of yours which the gods command to belong to you; may a stairway I road] to the Duat be set up for you to the Place Where Orion Is _ . . . 22

They have found Osiris ... 'When his name became Sokar' [Memphite necropolis).. :. Wake up [Osiris] for Horus . . . raise yourself . .. fare southward [upstream] to the lake, cross over the sea [sky'], for you are he-who stands untiring in the midst of Abydos ... 23

Betake 'yourself to- the Waterway, fare upstream . . .traverse Abydos. The celestial portal to the Horizon is open to you ... may you remove yourself to the sky, for the roads of the celestial expanses which lead up to Horus are cleaned for you . . . for you have traversed. the Winding Waterway [Milky Way] which is in the north of the sky as a star crossing the sea which is beneath the sky _ The Duat has grasped­ your hand at the Place Where Orion Is . . . 24

Likewise there is a striking passage in the Coffin Texts which refers to some secret 'spell-or formula to allow the deceased' to use the 'path of Rostau' on the land-and in the sky (i.e. the path to the. Giza necropolis on land and to Orion's belt in the sky) in order to 'go down to any sky he wishes to go down to' . . . 26

I have passed on the path of Rostau, whether on water or on land, and these are the paths of Osiris [Orion], they are in the limit of the sky: As for him who knows the spell [formula] for going down into them, he himself is a god in the suite of Thoth [meaning he is as wise as Thoth, 'the controller of the stars'"] [and] he will go down-to any sky he wishes to go down to . . . 26

Page 247

Special numbers

We suspect that the phrase to 'go down to any sky' suggests an awareness - and recording - of precessionally induced changes in the positions of the stars over long "periods of time. And we also note its implication that if the chosen initiate was equipped with the correct numerical spell then he would be able to work out - and visualize the correct positions of the stars in any epoch of his choosing, past or future.

Once again Sellers stands out amongst Egyptologists for being the first to have entertained such apparently outlandish notions. 'It is possible', she writes, 'that early man encoded in his myths special numbers; numbers that seemed to reveal to initiates an amazing knowledge of the movement of the celestial spheres.' 27·

Such numbers, she argues, appear to have been derived from a sustained, scientific study of the cycle of precession and a measurement of its rate and, puzzlingly, turn out to be extremely 'close to the calculations made with today's sophisticated procedures'. Intriguingly, too, there is evidence not only 'that these calculations were made, and conclusions drawn', but.alsothat'they were transmitted to others by secret encoding that was accessible only to an elite few':28 In short, Sellers concludes, 'ancient man Calculated a special number that he believed would bring this threatening cycle [of precession] back to its starting point .. .' 29

The 'special number' to which Sellers is referring to is 25,920 (and multiples and divisions of it) and thus represents the duration, in solar years, of a full precessional cycle or 'Great Year'.30 She shows how it can be derived from a variety of simple combinations of other numbers - 5, 12, 36, 72, 360, 432, 2160, etc., etc. - all of which are in turn derived from precise observations of precession. Most crucially of all, she shows that this peculiar sequence of numbers occurs in the ancient Egyptian myth of Osiris where, notably '72 conspirators' are said to have been-involved with Seth in the murder of the God-King.3'

As was shown in Fingerprints of the Gods; the sun's perceived motion through the signs of the zodiac at the vernal equinox proceeds at the rate of one degree every seventy-two years. From this it follows that a movement of the vernal point through 30 degrees will take 2I60 /Page 248/ years to complete, 60 degrees will take 4320 years, and a full 360- degree cycle will require 25,920 years."

Curiously enough, as the reader will recall from Part I, the Great Pyramid itself incorporates a record of these precessional numbers - since its key dimensions (its height and the perimeter of its base) appear to have been designed as a mathematical model of the earth's polar radius and equatorial circumference on a scale of 1:43,200. The number 43,200 is, of course, exactly 600 times 72. What we have in - this remarkable monument, therefore, is not just a scale model of a hemisphere of the earth but also one in which the scale involved incorporates a 'special number' derived from one of the key planetary motions of the earth itself - i.e. the rate of its axial precession.

In short it seems that secret knowledge is indeed available in the myth of Osiris and in the dimensions of the Great Pyramid. With this secret knowledge, If we wanted to fix a specific date- say 1008 years in the future - and communicateit to other initiates, then we could do so with the special number' 14 (72 x l4 = I008).We would also have to specify the 'zero point' from which they were to make their calculations - i.e the present epoch - and this might be done with some kind of symbolic or mathematical marker to indicate where the vernal point presently is, i.e. moving out.of Pisces and into Aquarius.

A similar exercise could likewise be carried out in reverse. By following the 'eastwards' direction along the ecliptic path we can 'find' (calculate, work out) where the vernal point was at any epoch in the past. Thus if today we wished to use the precessional code to direct attention towards the Pyramid' Age we would need to confide to other initiates the 'special number' of 62.5 (72 x 62.5 = 4500 years ago = approximately 2500 BC). Again, we could rule out any ambiguity as to the zero date from which the calculations were to be made if we could find a way to indicate the present position of the vernal point.

We have seen that this is what Sneferu appears to have done with the two Pyramids at Dahshur, which map the two sides of the head of the celestial bull - the 'address' of the vernal point in his epoch. And in a sense, though with a great deal more specificity and precision, this could also be exactly what the builders of the Great Pyramid were doing when they deliberately targeted the southern shafts of the King's and Queen's Chambers on the meridian-transits of such /Page 249/ significant stars as Orion and Sirius in the epoch of 2500 BC.To be clear about this, it seems to us well worth investigating the possibility, that by setting up such obvious and precise 'time markers' they. were trying to provide an unambiguous zero point - circa 2500 BC .; for calculations that could only be undertaken by initiates steeped in the mysteries of precession, who were equipped by their training to draw out the hidden portents concealed in certain 'special numbers'.

We note in passing' that if the Horus-King could have' been provided with the 'special number' III.III, and had used it in the way described above; it would have led him back to (72 x III.III years =) 7,999.99 years before the specified 'ground zero', i.e. to almost exactly 8000 years before 2500 BC - in short, to 10,500 BC .

We know this seems like wishful numerology of the worst sort - i.e, 'factoring in' an arbitrary.value to a set of calculations so as to procure - spurious 'corroboration' for a specific 'desired date (in 'this case the date of 10,500 BC, twelve and a half thousand years before the present, that we have already highlighted in Chapter 3 in connection with the Sphinx and the Pyramids of Giza). The problem, however, is tliat the number III.III may well not be anarbitrary value . At any rate, it has long been recognized that the main numerical factor in the design of the Great Pyramid, and indeed of the Giza necropolis as a whole, is the prime number II - a prime number being one that is only divisible by itself to produce the whole number I. Thus II. divided by II, i.e. the ratio II:II, produces the whole number I (while II divided by anything else," i.e. any other ratio, would, of neccessity, generate a fraction).

What is intriguing is the way that the architecture of the Great Pyramid responds to the number rr when it is divided, or multiplied, by other whole numbers. The reader will recall, for example, that its side length of just over 755 feet is equivalent to 440 Egyptian royal cubits - i.e. II times 40 cubits." In addition, its height-to-base ratio is , 7:II.34 The slope ratio of its sides is 14:11 (tan 51 degrees 50').35 And the slope ratio of the southern shaft of the King's Chamber - the shaft that was targeted on Orion's belt in ,2500 BC - is II:II (tan 45 degrees)."

Arguably, therefore, the ratio II:II, which integrates with our /Page 250/ 'special number' III.III, could be considered as a sort of mathematical key, or 'stargate' to Orion's belt, Moreover,as"we shall see, a movement of III.III degrees 'backwards 'along the ecliptic from 'ground-zero' at the Hyades-Taurus, the head of the celestial bull, would place the vernal point 'underneath' the cosmic lion.

Is it not precisely such a location, underneath the Great Sphinx, that the Horus-King is urged to investigate as he stands between its paws 'with his mouth equipped' and faces the questions of the Akhus whose initiations have led' him this far? Indeed, does it not seem probable that the 'quest-journey' devised by the 'Followers of 'Horus' was carefully structured so as to sharpen the mind of the initiate by requiring him to piece together all the clues himself until he finally arrived at the-realization that somewhere underneath the Great Sphinx of Giza was something,(written or pictorial records, artefacts, maps.astronomical charts) that touched on 'the knowledge of a divine origin', that was of 'irnmense importance, and that had been concealed there since the 'First Time'?

,In consideririg such questions, we are reminded of the Hermetic doctrines which transmit a tradition of the wisdom god Thoth who was said to have 'succeeded in understanding the mysteries of the heavens [and to have] revealed them by inscribing them-in sacred books' which he "then hid here on earth, intending that: they should be searched for by future generations but "found only by the fully worthy'37 Do the 'sacred books of 'Thoth', or their equivalent, still lie in the bedrock beneath the Great Sphinx of Giza, and do the 'fuIly worthy' still seek them there?

Seekers after truth

Other questions, too, have been raised implicitly and explicitly in the foregoing chapters:

I Were the Great Sphinx and the great Pyramids of Giza designed to serve as parts of-an immense three-dimensional 'model' of the sky of the 'First Time'?

2 Could other features of the necropolis also be part of this model?

3 If so, then has enough survived for us to compare the model with computer simulations of the skies above Giza in previous epochs /Page 251/

and thus. arrive at an accurate archaeoastronomical dating for the 'First Time', i.e. for.the true .'genesis'of the extraordinary civilization of Egypt?

By looking at-simulations of the ancient skies would we not, to use the language of the Egyptian funerary texts, be 'going down to any sky we wished to go down to'? ,

Is it an accident that so many of these iexts~have survived for thousands of years, or could their compilers have intended them to survive and carefully designed them in such a way that human nature would ensure their copying and recopying down the ages (a process that has been promiscuously resumed 'in the last century and.a half since the decipherment of the ancient Egyptian hieroglyphs, with the Coffin Texts, the Pyramid Texts, the Book of the Dead, etc., etc., now translated and reprinted in dozens of modern languages and editions - and even available on CD-ROM)?

6 In other words, is it not possible in our readingsof the texts, in our analysis of the rituals to which they were linked, that. we have stumbled upon a message of primordial antiquity that was composed not: just for the Pyramid Age, and not just for the Horns-Kings of ancient Egypt, but for all 'seekers after the truth' from any culture, in any epoch, who might-be 'equipped' to put texts and monuments together and to view the skies of former times?

Page 252 (number omitted)

Chapter 16

Message in a Bottle?

'We have reached this fascinating point in our evolution. . . we have reached the time when we know we can talk to each other across the distances between 'the stars . . . '

Dr John Billingham, NASA Ames Research Center, 1995

Together with the ancient-texts and rituals that are linked to them, could the vast monuments of the Giza necropolis have been designed to transmit a message from one culture to another - a message not across space but across time?

Egyptologists reply to-such questions by rolling their eyes and hooting derisively. Indeed they would not be 'Egyptologists' (or at any rate they could not long remain within that profession) if they reacted with anything other than scorn and disbelief to suggestions that the necropolis might be more than a cemetery, that the Great Sphinx might significantly predate the epoch of 2500 BC, and that the Pyramids might not be just 'royal tombs'. By the same token, no self­respecting Egyptologist 'would be prepared to consider, even for a moment, the outlandish possibility that some sort of mysterious 'message" might have been encoded into the monuments.

So whom should we turn to for advice when confronted by what we suspect may be a message from a civilization so far distant from us in time as to be almost unknowable? .

Anti-cipher

The only scientists actively working on such problems today are those involved in the Search for Extraterrestrial Intelligencec- SETI for /Page253/ short . They endlessly sweep the heavens.for messages from distant civilizations and they have therefore naturally had to give some thought to what might happen if they ever did identify such, a message. According to Dr Philip Morisson of the Massachusetts Institute of Technology:

To begin with we would know very.little about it. If we received it we would not understand what we're getting. But we would have an unmistakable signal full of structure, full of challenge. The best people would try to decode it, and it will be easy to do because those who have constructed it would have made it easy to decode, otherwise there's no point. This is anti-cryptography: 'I want to make a message for you, who never got in touch with any symbols of mine. no key no clue, nevertheless you'll be able to read it . . .' I would haveto fill it full of clues and unmistakable clever devices. . . 1

In his book, Cosmos, Professor Carl Sagan of Cornell Universersity rnakes much the same point - and does so, curiously enough, with reference to the ancient Egyptian hieroglyphic system. He explains that the 'Egyptian hieroglyphics are, in significant part a simple substitution cipher. But not every hieroglyphic is a letter or symbol. Some are pictographs . . .' When it comes to transhition, this 'mix of letters and pictographs caused some grief for interpreters . . .' In the early nineteenth century, however, a breakthrough was made by the French scholar Champollion who deciphered the famous 'Rosetta Stone', a slab of black basalt bearing identical inscriptions in Egyptian hieroglyphics and in Greek. Since Champollion could read the Greek, all he needed was some kind of 'key' to relate specific hieroglyphs to specific Greek words or letters. This key was provided by the constant repetition in the Greek text of the name of Pharaoh Ptolemy V and an equal number of repetitIons in the Egyptian text of a distinctive oblong enclosure - known as a cartouche containing a repeated group of hieroglyphs. As Sagan comments:

The cartouches were the key . . . almost as though the Pharaohs of Egypt had circled their own names to make the going easier for Egyptologists two thousand years in the future. . . What a joy it must have been [for Champollion] to open this one-way communication channel with another civilization, to permit-a culture that had been /Page 254/ mute for millennia to speak of its history, magic, medicine, religion, politics and philosophy.2

Professor Sagan then offers a comparison that is highly apposite to our present inquiry. 'Today,' he says:

we are again seeking messages from an ancient and exotic civilization, this time hidden from us not only in time, but in space. If we should receive a radio message from an extraterrestrial civilization, how could it possibly be understood. Extraterrestrial intelligence will be elegant, complex, internally consistent and utterly alien. Extraterrestrials would, of course, wish to make a message sent to us as comprehensible as . possible. But how could they? Is there in any sense an interstellar Rosetta Stone? We :believe there is a common language that all technical civilizations, no matter how .different, must have. That common language is science and mathematics, The laws of Nature are the same everywhere?

It seems to us that if there is indeed a very ancient 'message' at Giza then it is likely to be expressed in the language of science and mathematics that Sagan identifies - and for the same reason. Moreover, given its need to continue 'transmitting' coherently across thousands of years (and chasms of cultural change), we think that the composer of such a message would be likely to make use of the Precession of the Equinoxes, the one particular 'law of Nature' that can be said to govern, and measure - and identify - long periods of terrestrial time.

Durable vehicles

The Pyramids and the Great Sphinx at Giza are, above all else, as elegant, as complex, as internally consistent and as utterly 'alien' as the extraterrestrial intelligence that Sagan envisages (alien in the sense of the tremendous, almost superhuman scale of these structures and of their uncanny - and in our terms apparently unnecessary precision).

Moreover, returning briefly to Dr Philip Morisson's remarks quoted earlier, we think that the Giza necropolis also qualifies rather. well for the description 'packed full of clues and unmistakable clever devices'.4 Indeed, it seems to us that a truly astonishing quantum of /Page 255/ ingenuity was invested by the Pyramid builders to ensure that the four fundamental aspects of an 'unmistakable' message were thoroughly elaborated .here:

I the creation of durable, unequivocal markers which could serve as beacons.to-inflame the curiosity and-engage the intelligence of future generations of seekers;

2 the use of the 'cominon language' of precessiona astronomy;

3 the use of precessional co-ordinates to signal specific time­referents linking past to present and present to-future;

4 Cunningly. concealed store-rooms-or 'Halls of Records' that could only be found and entered by those who were fully initiated in the 'silent language' and thus could read and follow its clues.

In addition, though the monuments are enabled to 'speak' from the moment that their astronomical context.is understood, we have also to consider the amazing profusion of funerary texts that have oome down to us from all periods of Egyptian history - all apparently emanating from the same very few common sources.5 As we have seen, these texts operate like 'software' to the monuments' 'hardware', charting the route that the Horus-King (and all other future seekers) must.follow,

We recall a remark made by Giorgio de .Santillana and Hertha von Dechend in Hamlet's Mill to the effect that the'great strength of myths as vehicles for specific technical information is that they are capable of transmitting that information independently of the knowledge of individual-story-tellers.6 In other words-as long as a myth continues be told true, it will also continue to trailsmit any higher message that may-be concealed within its structure - even if neither the teller or the.hearer understands that message.

So, too we suspect, with the ancient Egyptian funerary texts. We would-be surprised if the owners of'many of the coffins and tomb walls onto-which they were copied-had even, the faintest inkling that specific astronomical observations and directions were being duplicated at their expense. What motivated. them was precisely what the texts offered - the lure of immortal life. Yet by taking that lure did they inot-in fact guarantee a kind-of immortality for the textss themelves? Did they not ensure that so many faithful copies would /Page 256/ be made that some at least would-be bound to survive for many thousands of years?

We think that there were always people who understood the true 'science of immortality' connected to the texts, and who were able to read the astronomical allegories in which deeper secrets, not granted to the common herd, lay concealed. We presume that these people were once' called the 'Followers of Horus', that they operated as an invisible college behind the scenes in Egyptian prehistory and history, that their primary cult centre was at Giza-Heliopolis, and that they were responsible for the initiation of kings and the realization of blueprints. We also think that the timetables they worked to - and almost everything of significance that they did - was in one way or another written in the stars.

Hints and memories

The powerfully astronomical character of the" Giza necropolis, although ignored by Egyptologists, has been recognized by open­minded and intuitive researchers throughout history. The Hermetic Neoplatonists of Alexandria, for example, appear to have been acutely sensitive to the possibility of a 'message' and were quick to discern the strong astral qualities of the textual material and the monuments.' The scholar Proclus (fifth century AD) also acknowledged that the Great Pyramid was astronomically designed - and with certain specific stars in mind. Indeed, in his commentary on Plato's Timaeus (which deals with the story of the lost civilization of 'Atlantis'), Proclus reported strangely that 'the Great Pyramid was used as an observation for Sirius'."

Vague memories of an astronomically constructed 'message' at Giza appear to have filtered down to the Middle Ages. At any rate the Arab chroniclers in this period spoke of the Great Pyramid as 'a temple to the stars'. . ."

Page 278

Treasure map

We said earlier that in the architectural-astronomical system of the Pyramid builders the position of the vernal point along the ecliptic which denoted the 'Splendid Place of the "First Time'" was considered to be 'controlled' by the position of Osiris-Orion at the meridian: 'slide' Orion's belt up from its location at 2500 BC and the vernal point is 'pushed' westwards around the ecliptic (and forward in time) in the direction Taurus -) Aries Pices - Aquarius; 'slide' it down and the vernal point is pushed 'east', i.e. back in time, in the direction Taurus - Gemini - Cancer - Leo. So in 10,500 BC, with the belt stars fully 'slid down' to their lowest possible altitude above the horizon, how far around the ecliptic has the vernal point been 'pushed? We know it is in Leo. But where in Leo?

Computer simulations show that it lay exactly III. III degrees east. of the station that it had occupied at 2500 BC. Then it had been at the head of the Hyades- Taurus close to the right bank of the Milky Way; 8000 years earlier it lay directly under the rear paws of the constellation-of Leo.

As we have hinted, this is a location that is likely to have a terrestrial 'double'. The three stars of Orion's belt have their terrestrial doubles in the form of the three Great Pyramids. The constellation of Leo­ Horakhti has its terrestrial double in the form of Hor-em-Akhet, ie.. the Great Sphinx. The 'Horizon of the Sky' has its terrestrial double in the form of the 'Horizon of Giza'. And the Great Sphinx crouches literally within this 'Horizon'.

Page 279

It was to the breast of the Great Sphinx, at the summer solstice in the Pyramid Age, that the quest of the Horus-King led. There he encountered the Akhus:

'How has this happened to you', say they, the Akhus with their mouth equipped, 'that you have come to this place more noble than any other place?'

'I have come . . . because the reed floats.of the sky were set down for Re [the sun-disc and cosmic 'double' of the Horus King] that Re might cross [the Milky Way] on them to Horakhti at the Horizon' 18

In other words, the Horus-King has successfully understood and used the clues provided in the ritual. He has noted and followed the path of the sun during the solar year from its starting point - designated in the texts as being beside the Hyades-Taurus, i.e. 'Bull of the Sky' - and thence across the MilkyWay until the moment of its conjunction with Regulus, the heart-star of Leo. He has then taken this celestial treasure map, transposed its co-ordinates to the ground, made his way across the River Nile and ascended to the Giza plateau, coming eventually to the breast of the Sphinx.

We think that he received there the necessary clues or instructions to find the entrance to the terrestrial Duat, to tlie 'Kingdom of Osiris' on the ground - in short to the 'Splendid Place of the "First Time" ' where he would have to go in order to complete his quest. And we suggest that these clues were designed to encourage him to track the vemal point, just as we have done, to the location that it would have occupied in 10,500 BC when Orion's belt had reached the lowest point - its precessional cycle.

In other words it is our hypothesis that the Giza monuments, the past, present and future skies that lie above them, and the ancient funerary texts that interlink them, convey the lineaments of a message. In attempting to read this message we have done no more than follow the initiation 'journey' of the Horus-Kings of Egypt. And the ancient Horns-Kings we, too, have arrived at a most intriguing crossroad. The trail of initiation has guided us, directed us finally lured us to stand in front of the Great Sphinx and, like Oedipus, to confront the ultimate riddles: 'Where did we come from?' Where are we to go to?'

 

Page 283 (number omitted)

Conclusion

Return to the Beginning

I stand before the masters who witnessed.

the genesis, 'who were the authors of their own forms,

who walked the dark, circuitous passages of their own becoming ... I stand

before the masters who witnessed the

transformmation of the body of a man into the

body in spirit, who were witnesses to

resurrection when the corpse of Osiris

entered the mountain and the soul of Osiris

walked out shining . . . when he came forth

from death, a shining. thing, his face white

with heat . . . I stand before the masters who

know the histories of the dead, who decide

which tales to hear again, who judge, the

books of lives as either full or empty, who are

themselves authors of truth. And they are

Isis and Osiris, the divine intelligences. And

when the story is written and the end is good

and the soul of a man is perfected, with a shout they lift him into heaven . . .'

Ancient Egyptian Book of the Dead (Normandi Ellis translation)

The dictionary tells us that, separately from its modern usage the word, 'glamour' has a traditional meaning roughly equivalent to 'magic.spell or 'charm', and is the Old Scottish variant of: 'grammar . . . hence a magic spell, because occult 'practices were popularly associated with learning.'

Is it possible that men and women of great wisdom and learning cast a 'glamour' over the Giza necropolis at some. point in the distant / Page 284/ past? Were they the possessors of as yet unguessed-at secrets that they wished to hide here? And did they succeed in concealing those secrets almost in plain view? For thousands of years, in other words, has the ancient Egyptian royal cemetary at Giza veiled the presence of something else - something of vastly greater significance for the story of Mankind?

One thing we are sure of is that unlike the hundreds of Fourth­ Dynasty mastaba tombs to the west of the Sphinx and clustered around the three great Pyramids, the Pyramids themselves were never designed to serve primarily as burial places. We do not rule out the possibility that the Pharaohs Khufu, Khafre and Menkaure may at one time have- been buried within them - although there is no evidence for this - but we are- now satisfied. that the transcendent effort and skill that went into the construction of these awe-inspiring monuments was motivated by a higher purpose.

We think that purpose was connected to the quest for eternal life wrapped up in a complete religious and spiritual system that the ancient Egyptians inherited from unknown predecessors and that they later codified in -their eerie and other-worldly funerary and rebirth texts. We suggest, in short, that it was the goal of immortality , not just for one Pharaoh but for many, that the corridors and passages and hidden chambers and concealed gates.and doorways of the Giza complex were ultimatelydesigned to serve. Depicted in the Book of What is in the Duat as being filled with monsters, these narrow, claustrophobic, terrifying places, hemmed in on all sides by sheer stone walls, were in our view conceived as the ultimate testing ground for initiates. Here they would be forced to face and overcome their most horrible and debilitating fears. Here they would pass through unimaginable ordeals of the spirit and the mind. Here they would learn esoteric wisdom through acts of concentrated intelligence and will. Here they would be prepared, through practice and experience, for the moment of physical death and for the nightmares that would follow it, so that these transitions would not confuse or paralyse them - as they might other, unprepared, souls - and so that they might become 'equipped spirits' able to move as they wished through heaven and earth, 'unfailingly, and regularly and eternally'.1

Such was the lofty goal of the Hems-King's quest and the ancient /Page 285/ Egyptians clearly believed that in order to attain it the initiate would have to participate in the discovery, the unveiling, the revelation, of something of momentous importance - something that would bestow wisdom, and knowledge of the 'First Time', and of the mysteries of the cosmos, and of' Osiris, the Once and Future King.

We are therefore reminded of a Hermetic Text, written in Greek but compiled in Alexandria in Egypt some 2000 years ago, that is known as the Kore Kosmu (or Virgin of the World).2 Like other such writings, this text speaks of' Thoth, the ancient Egyptian wisdom-god, but refers to him by his Greek name, Hermes:

Such was all-knowing. Hermes,who saw all things, and seeing understood, and understanding had the power both to disclose and to give explanation. For what he knew .he graved on.stone; yet though.he graved them onto stone he hid them mostly . . . The sacred symbols of the cosmic .elements [he] hid. away hard by the secrets of Osiris . . . keeping sure silence, that every younger age of cosmic.time might seek for them..3

The text then tells us that before he retumed to Heaven' Hermes invoked .a spell on the secret writings and knowledge that he had hidden:

O holy books, who have been made by my immortal hands, by incorruption's magic spells . . . free from decay throughout eternity remain, and incorrupt from time. Become unseeable, unfindable, for every one whose foot shall tread the plains of this land, until Old Heaven doth bring forth meet instruments for you . . .4

What instruments might lead to the recovery of, 'unseeable and unfindable' secrets concealed at Giza?

Our research has persuaded us that a scientific language of processional time and allegorical astronomy was deliberately expressed in the principal monuments there and in the texts that relate to them. From quite an early stage in our investigation, - we hoped that this language might shed new light on the enigmatic civilization of Egypt. We did not at first suspect, however, that it would-also turn out to encode specific celestial co-ordinates or that . . . these. would. transpose onto the ground in the form of an arcane /Page 286/ 'treasure map', directing the attention of seekers to a precise location in the bedrock deep beneath the Sphinx.

Nor did we suspect, until we met them, that others such as the Edgar Cayce Foundation and the Stanford Research Institute - see Part II - might already.he looking there.

Osiris breathes

Throughout this investigation we have tried to stick to the facts, even when the facts have been very strange.

When we say that the Sphinx, the three Great Pyramids, the causeways and other associated monuments of the Giza necropolis form a huge diagram we are simply reporting a fact. When we say that this diagram depicts the skies above Giza in 10,500 BC we.are reporting a fact. When we say that the Sphinx bears erosion marks which indicate that itr was carved before the Sahara became a desert we are reporting a fact. When we say that the ancient Egyptians attributed their civilization to 'the gods' and to the 'Followers of Horus' we are reporting facts. When we say that these divine and human,civilizers' were remembered as having come to the Nile Valley in Zep Tep - the 'First Time' - we are reporting a fact. When we say that the ancient Egyptian records tell us this 'First Time' was an epoch in the past were thousands of years before the era of the Pharaohs\we are repotrtin a fact:

Our ciivilization has had the scientific wherewithal to get. to grips with the many problems of the Giza necropolis for less than two centuries, and it is only in the last two decades that computer technology has made it possible for us to reconstruct the ancient skies and see the patterns and conjunctions that unfolded there. During this period access to the site, and knowledge about it, has been monopolized. by members of the archaeological and Egyptological professions who have agreed amongst themselves as to the origin, and age, and function of the monuments. New evidence which does not support this scholarly consensus, and which might actively undermine it, has again and again been overlooked, or sidelined,and sometimes even deliberately concealed from the public. This; we assume, is why everything to do with the shafts of'the Great Pyramid /Page 287/ their stellar alignments, the iron plate, the relics, and the discovery - of the' door' - has met with such peculiar and inappropriate responses from Egyptologists and. archaeologists. And. we assume that-. it explains, too, why the same scholars have paid such scant attention to the solid case that geologists have made for the vast antiquity of the Sphinx.5

The Giza monuments are a legacy for Mankind, preserved almost intact over thousands of years, and, outside the privileged circles of, Egyptology and archaeology, there is today a broad-based expectation that they .might be about to reveal a remarkable secret. That expectation may or may not prove to be correct. Nevertheless in an intellectual culture polarized by public anticipation and orthodox reaction, we feel it is only wise that, future explorations at the necropolis should be conducted with complete 'transparency' and accountability. In particular the opening of the 'door' inside the southern shaft of the Queen's Chamber, the videoscopic examination of the northem shaft, and any further remote-sensing: surveys conducted around the Sphinx, should. be carried out under the scrutiny of the international mass media and should not be subjected to bizarre and inexplicable delays.

We cannot predict what new discoveries will be made by such research, or even whether any new discoveries will be made. However, after completing our own archaeoastronomical investigation, and following the quest of the Horus-King, we are left with an enhanced sense of the tremendous mystery of this amazing site - a sense that its true story has only just begun to be told. Looking at the awe-inspiring scale and precision of the monuments we.feel, too, that the purpose of the ancient master-builders was sublime, and that they did indeed find a way to initiate those who would come after ­ thousands of years in the future - by making. use of the universal language of the stars.

They found a way to send a message across the ages in a code so simple and so self-explanatory that it might rightly be described as an anti-cipher.

Perhaps the time has come to listen to that clear, compelling signal that beckons to us out of the darkness of prehistory. Perhaps the time /Page 288 / has come to -seek- the buried treasure of our forgotten genesis and destiny:

Stars fade like memory-the instant before dawn. Low-in the east the sun appears, golden as an opening eye, That which can be named must exist. That which is named can be written. That which is written.shall be remembered. That which is remembered lives. In the land of Egypt Osiris breathes.

 

OSIRIS SO I R IS IS I R SO OSIRIS

OS999S SO 9 9 9S 9S 9 9 SO OS999S

OSIRIS SO I R IS IS I R SO OSIRIS

 

 

ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN

OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON

 

WORDS OF POWER

 

 

10
PRECESSION
123
69
6
2
OF
21
12
3
3
THE
33
15
6
9
EQUINOXES
129
57
3
24
Add to Reduce
306
153
18
2+4
Reduce to Deduce
3+0+6
1+5+3
1+8
6
Essence of Number
9
9
9

 

 

T
=
2
-
3
THE
33
15
6
G
=
7
-
5
GREAT
51
24
6
P
=
7
-
7
PYRAMID
86
41
5
O
=
6
-
2
OF
21
12
3
G
=
7
-
4
GIZA
43
25
7
-
-
29
-
21
First Total
234
117
27
-
-
2+9
-
2+1
Add to Reduce
2+3+4
1+1+7
2+7
-
-
11
-
3
Second Total
9
9
9
-
-
1+1
-
-
Reduce to Deduce
-
-
-
-
-
2
-
3
Essence of Number
9
9
9

 

 

WORDS OF POWER

 

3
THE
33
15
6
6
SPHINX
90
36
9
9
Add to Reduce
123
51
15
-
Reduce to Deduce
1+2+3
5+1
1+5
9
Essence of Number
6
6
6

 

 

-
SPHINX
-
-
-
3
SPH
43
16
7
1
I
9
9
9
2
NX
38
11
2
6
SPHINX
90
36
18
-
-
9+0
3+6
1+8
6
SPHINX
9
9
9

 

 

-
-
-
-
-
SPHINX
-
-
-
S
=
1
-
1
S
19
10
1
P
=
7
-
1
P
16
7
7
H
=
8
-
1
H
8
8
8
I
=
9
-
1
I
9
9
9
N
=
5
-
1
N
14
5
5
X
=
6
-
1
X
24
6
6
-
-
18
-
6
SPHINX
90
45
18
-
-
1+8
-
-
-
9+0
3+6
1+8
-
-
9
-
6
SPHINX
9
9
9

 

 

-
-
-
-
-
SPHINX
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
1
S
19
10
1
-
1
2
3
4
-
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
2
3
4
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
2
3
4
-
-
-
8
-
I
=
9
-
1
I
9
9
9
-
-
2
3
4
-
-
-
-
9
N
=
5
-
1
N
14
5
5
-
-
2
3
4
5
-
-
-
-
X
=
6
-
1
X
24
6
6
-
-
2
3
4
-
6
-
-
-
-
-
18
-
6
SPHINX
90
45
18
-
1
2
3
4
5
6
7
8
9
-
-
1+8
-
-
-
9+0
3+6
1+8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
6
SPHINX
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
SPHINX
-
-
-
-
1
5
6
7
8
9
S
=
1
-
1
S
19
10
1
-
1
-
-
-
-
-
P
=
7
-
1
P
16
7
7
-
-
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
-
-
-
8
-
I
=
9
-
1
I
9
9
9
-
-
-
-
-
-
9
N
=
5
-
1
N
14
5
5
-
-
5
-
-
-
-
X
=
6
-
1
X
24
6
6
-
-
-
6
-
-
-
-
-
18
-
6
SPHINX
90
45
18
-
1
5
6
7
8
9
-
-
1+8
-
-
-
9+0
3+6
1+8
-
-
-
-
-
-
-
-
-
9
-
6
SPHINX
9
9
9
-
1
5
6
7
8
9

 

 

-
-
-
-
-
SPHINX
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
1
S
19
10
1
-
1
2
3
4
-
-
-
-
-
N
=
5
-
1
N
14
5
5
-
-
2
3
4
5
-
-
-
-
X
=
6
-
1
X
24
6
6
-
-
2
3
4
-
6
-
-
-
P
=
7
-
1
P
16
7
7
-
-
2
3
4
-
-
7
-
-
H
=
8
-
1
H
8
8
8
-
-
2
3
4
-
-
-
8
-
I
=
9
-
1
I
9
9
9
-
-
2
3
4
-
-
-
-
9
-
-
18
-
6
SPHINX
90
45
18
-
1
2
3
4
5
6
7
8
9
-
-
1+8
-
-
-
9+0
3+6
1+8
-
-
-
-
-
-
-
-
-
-
-
-
9
-
6
SPHINX
9
9
9
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
SPHINX
-
-
-
S
=
1
-
1
S
19
10
1
N
=
5
-
1
N
14
5
5
X
=
6
-
1
X
24
6
6
P
=
7
-
1
P
16
7
7
H
=
8
-
1
H
8
8
8
I
=
9
-
1
I
9
9
9
-
-
18
-
6
SPHINX
90
45
18
-
-
1+8
-
-
-
9+0
3+6
1+8
-
-
9
-
6
SPHINX
9
9
9

 

 

-
-
-
-
-
SPHINX
-
-
-
S
=
1
-
1
S
19
10
1
P
=
7
-
1
P
16
7
7
H
=
8
-
1
H
8
8
8
I
=
9
-
1
I
9
9
9
N
=
5
-
1
N
14
5
5
X
=
6
-
1
X
24
6
6
-
-
18
-
6
SPHINX
90
45
18
-
-
1+8
-
-
-
9+0
3+6
1+8
-
-
9
-
6
SPHINX
9
9
9

 

 

-
-
-
-
-
PHOENIX
-
-
-
P
=
7
-
1
P
16
7
7
H
=
5
-
1
H
8
8
8
O
=
7
-
1
O
15
6
6
E
=
5
-
1
E
5
5
5
N
=
5
-
1
N
14
5
5
I
=
9
-
1
I
9
9
9
X
=
6
-
1
X
24
6
6
-
-
46
-
7
PHOENIX
91
46
46
-
-
4+6
-
-
-
9+0
4+6
4+6
-
-
10
-
7
PHOENIX
10
10
10
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
1
-
7
PHOENIX
1
1
1

 

 

-
-
-
-
-
PHOENIX
-
-
-
E
=
5
-
1
E
5
5
5
N
=
5
-
1
N
14
5
5
O
=
7
-
1
O
15
6
6
X
=
6
-
1
X
24
6
6
P
=
7
-
1
P
16
7
7
H
=
5
-
1
H
8
8
8
I
=
9
-
1
I
9
9
9
-
-
46
-
7
PHOENIX
91
46
46
-
-
4+6
-
-
-
9+0
4+6
4+6
-
-
10
-
7
PHOENIX
10
10
10
-
-
1+0
-
-
-
1+0
1+0
1+0
-
-
1
-
7
PHOENIX
1
1
1

 

 

7
H
I
N
O
S
X
Z
-
-
-
-
-
--
-
8
9
5
6
1
6
8
+
=
43
4+3
=
7
-
8
9
14
15
19
24
26
+
=
115
1+1+5
=
7
7
H
I
N
O
S
X
Z
-T
-
-
-
-
-

 

 

-
-
-
-
-
HINOSXZ
-
-
-
H
=
8
-
1
H
8
8
8
I
=
9
-
1
I
9
9
9
N
=
5
-
1
N
14
5
5
O
=
6
-
1
O
15
6
6
S
=
1
-
1
S
19
10
1
X
=
6
-
1
X
24
6
6
Z
=
8
-
1
Z
26
8
8
-
-
43
-
7
HINOSXZ
115
52
43
-
-
4+3
-
-
-
1+1+5
5+2
4+3
-
-
7
-
7
HINOSXZ
7
7
7

 

 

-
-
-
-
-
HINOSXZ
-
-
-
H
=
8
-
1
H
8
8
8
I
=
9
-
1
I
9
9
9
N
=
5
-
1
N
14
5
5
O
=
6
-
1
O
15
6
6
S
=
1
-
1
S
19
10
1
X
=
6
-
1
X
24
6
6
Z
=
8
-
1
Z
26
8
8
-
-
43
-
7
HINOSXZ
115
52
43
-
-
4+3
-
-
-
1+1+5
5+2
4+3
-
-
7
-
7
HINOSXZ
7
7
7

 

 

-
-
-
-
-
HINOSXZ
-
-
-
S
=
1
-
1
S
19
10
1
N
=
5
-
1
N
14
5
5
O
=
6
-
1
O
15
6
6
X
=
6
-
1
X
24
6
6
H
=
8
-
1
H
8
8
8
Z
=
8
-
1
Z
26
8
8
I
=
9
-
1
I
9
9
9
-
-
43
-
7
HINOSXZ
115
52
43
-
-
4+3
-
-
-
1+1+5
5+2
4+3
-
-
7
-
7
HINOSXZ
7
7
7

 

 

WORDS OF POWER

 

A
=
1
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
4
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
4
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
4
ATUM
1
1
1

 

 

THE HERMETICA

THE LOST WISDOM OF THE PHARAOHS

Timothy Freke & Peter Gandy

To the Memory of Giordano Bruno 1548 - 1600

Mundus Nihil Pulcherrimum

The World is a Beautiful Nothing

Page 23

"Although we have used the familiar term 'God' in the explanatory notes which accompany each chapter, we have avoided this term in the text itself. Instead we have used 'Atum - one of the ancient Egyptian names for the Supreme One God."

 

Page 45

The Being of Atum

"Atum is Primal Mind."

Page 45

The Being of Atum

Give me your whole awareness, and concentrate your thoughts, for Knowledge of Atum's Being requires deep insight, which comes only as a gift of grace.

It is like a plunging torrent of water whose swiftness outstrips any man who strives to follow it, leaving behind not only the hearer, but even the teacher himself.

To conceive of Atum is difficult.

To define him is impossible.

The imperfect and impermanent cannot easily apprehend the eternally perfected.

Atum is whole and conconstant.

In himself he is motionless, yet he is self-moving.

He is immaculate, incorruptible and ever-lasting.

He is the Supreme Absolute Reality. He is filled with ideas which are imperceptible to the senses, and with all-embracing Knowledge.

Atum is Primal Mind.

Page 46

He is too great to be called by the name 'Atum'. He is hidden, yet obvious everywhere.

His Being is known through thought alone, yet we see his form before our eyes.

He is bodiless, yet embodied in everything. There is nothing which he is not. He has no name, because all names are his name. He is the unity in all things, so we must know him by all names and call everything 'Atum'.

He is the root and source of all. Everything has a source, except this source itself, which springs from nothing.

Atum is complete like the number one, which remains itself whether multiplied or divided, and yet generates all numbers.

Atum is the Whole which contains everything. He is One, not two.

He is All, not many.

The All is not many separate things, but the Oneness that subsumes the parts.

The All and the One are identical.

You think that things are many when you view them as separate, but when you see they all hang on the One, /Page 47/ and flow from the One, you will realise they are united­linked together, and connected by a chain of Being from the highest to the lowest, all subject to the will of Atum.

The Cosmos is one as the sun is one, the moon is one and the Earth is one.

Do you think there are many Gods? That's absurd - God is one.

Atum alone is the Creator of all that is immortal, and all that is mutable.

If that seems incredible, just consider yourself. You see, speak, hear, touch, taste, walk, think and breathe.

It is not a different you who does these various things, but one being who does them all.

To understand how Atum makes all things, consider a farmer sowing seeds; here wheat - there barley,
now planting a vine - then an apple tree.

Just as the same man plants all these seeds, so Atum sows immortality in heaven and change on Earth.

Throughout the Cosmos he disseminates Life and movement­the two great elements that comprise Atum and his creation, and so everything that is.

Page 48

Atum is called 'Father' because he begets all things, and, from his example, the wise hold begetting children the most sacred pursuit of human life. Atum works with Nature, within the laws of Necessity, causing extinction and renewal, constantly creating creation to display his wisdom.

Yet, the things that the eye can see are mere phantoms and illusions.

Only those things invisible to the eye are real. Above all are the ideas of Beauty and Goodness.

Just as the eye cannot see the Being of Atum, so it cannot see these great ideas.

They are attributes of Atum alone, and are inseparable from him.

They are so perfectly without blemish that Atum himself is in love with them.

There is nothing which Atum lacks, so nothing that he desires.

There is nothing that Atum can lose, so nothing can cause him grief. Atum is everything.

Atum makes everything, and everything is a part of Atum.

Atum, therefore, makes himself.

This is Atum's glory - he is all-creative, and this creating is his very Being.

It is impossible for him ever to stop creating­for Atum can never cease to be.

Page 49

Atum is everywhere.

Mind cannot be enclosed, because everything exists within Mind.

Nothing is so quick and powerful.

Just look at your own experience. Imagine yourself in any foreign land, and quick as your intention you will be there!

Think of the ocean - and there you are.

You have not moved as things move, but you have travelled, nevertheless.

Fly up into the heavens - you won't need wings!

Nothing can obstruct you - not the burning heat of the sun, or the swirling planets.

Pass on to the limits of creation. Do you want to break out beyond the boundaries of the Cosmos?

For your mind, even that is possible.

Can you sense what power you possess? If you can do all this, then what about your Creator?

Try and understand that Atum is Mind.

This is how he contains the Cosmos. All things are thoughts which the Creator thinks."

 

 

A
=
1
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
4
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
4
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
4
ATUM
1
1
1

 

 

 

 

A
=
1
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
A
=
1
-
4
ATUM
55
10
10
-
-
-
-
-
-
5+5
1+0
1+0
A
=
1
-
4
ATUM
10
1
1
-
-
-
-
-
-
1+0
-
-
A
=
1
-
4
ATUM
1
1
1

 

 

-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
-
1
2
3
4
+
=
10
1+0
=
1
-
1
-
6
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
5
-
-
-
-
-
-
-
5
FIVE
5
-
-
-
6
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
9
-
-
-
-
-
-
-
9
NINE
9
-
-
-
35
6
A
T
U
M
-
-
10
-
-
4
-
10
3+5
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
8
6
A
T
U
M
-
-
1
-
-
4
-
2

 

 

6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
6
A
T
U
M
-
-
-
-
-
--
-
-
`-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
-
1
2
3
4
+
=
10
1+0
=
1
=
1
6
A
T
U
M
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
4
occurs
x
1
=
4
6
A
T
U
M
-
-
10
-
-
4
-
10
-
1
2
3
4
-
-
1+0
-
-
-
Q
1+0
6
A
T
U
M
-
-
1
-
-
4
-
2

 

 

-
-
-
4
-
4
-
-
-
-
-
3
-
-
-
3
-
-
-
2
-
-
-
-
-
2
-
1
-
-
-
-
-
-
-
1
A
T
U
M
-
M
U
T
A
1
20
21
13
-
13
21
20
1
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A
1
2
3
4
-
4
3
2
1
A
T
U
M
-
M
U
T
A

 

 

6
A
T
U
M
-
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
-
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
-
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
-
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
A
T
U
M
-
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
-
9
-
-
-
2+0
-
-
-
Q
2+0
6
A
T
U
M
-
R
A
-
-
2
-
-
6
-
2
-
1
2
3
4
-
9
1
-T
-
-
-
-
-
-
-
6
A
T
U
M
-
R
A
-
-
1
-
-
6
-
2

 

 

6
A
T
U
M
R
A
-
-
-
-
-
--
-
-
`-
1
20
21
13
18
1
+
=
74
7+4
=
11
1+1
2
-
1
2
3
4
9
1
+
=
20
2+0
=
2
-
2
6
A
T
U
M
R
A
-T
-
-
-
-
-
-
-
-
1
-
-
-
-
1
-
-
1
occurs
x
2
=
2
-
-
2
-
-
-
-
-
-
2
occurs
x
1
=
2
-
-
-
3
-
-
-
-
-
3
occurs
x
1
=
3
-
-
-
-
4
-
-
-
-
4
occurs
x
1
=
4
-
-
-
-
-
9
-
-
-
9
occurs
x
1
=
9
6
A
T
U
M
R
A
-
-
19
-
-
6
-
20
-
-
-
-
-
9
-
-
-
2+0
-
-
-
Q
2+0
6
A
T
U
M
R
A
-
-
2
-
-
6
-
2
-
1
2
3
4
9
1
-T
-
-
-
-
-
-
-
6
A
T
U
M
R
A
-
-
1
-
-
6
-
2

 

 

R
=
9
-
6
RE ATUM
-
-
-
-
-
-
-
2
RE
-
-
-
-
-
-
-
-
R
18
9
9
-
-
-
-
-
E
5
5
5
A
=
1
-
4
ATUM
-
-
-
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
R
A
10
-
-
U
21
3
3
-
-
1+0
-
-
M
13
4
4
R
A
1
-
6
RE ATUM
60
24
24
-
-
-
-
-
-
6+0
2+4
2+4
R
A
1
-
6
RE ATUM
6
6
6
-
-
-
-
-
-
1+1
-
-
R
A
1
-
6
RE ATUM
6
6
6

 

 

-
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
18
-
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
-
9
-
-
1
2
3
4
+
=
24
2+4
=
6
=
6
-
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
18
5
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
-
9
5
-
1
2
3
4
+
=
24
2+4
=
6
=
6
-
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
-
`-
18
5
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
-
9
5
-
1
2
3
4
+
=
24
2+4
=
6
=
6
-
6
R
E
-
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
5
-
-
-
-
-
-
-
5
occurs
x
1
=
5
6
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
9
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
21
6
R
E
-
A
T
U
M
-
-
14
-
-
6
-
24
2+1
-
9
5
-
1
2
3
4
-
-
1+4
-
-
-
-
2+4
3
6
R
E
-
A
T
U
M
-
-
5
-
-
6
-
6
-
-
9
5
-
1
2
3
4
-
-
-
-
-
-
-
-
3
6
R
E
-
A
T
U
M
-
-
5
-
-
6
-
6

 

 

6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
`-
18
-
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
9
-
-
1
2
3
4
+
=
24
2+4
=
6
=
6
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
`-
18
5
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
9
5
-
1
2
3
4
+
=
24
2+4
=
6
=
6
6
R
E
-
A
T
U
M
-
-
-
-
-
--
-
-
`-
18
5
-
1
20
21
13
+
=
60
6+0
=
6
=
6
-
9
5
-
1
2
3
4
+
=
24
2+4
=
6
=
6
6
R
E
-
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
-
-
-
-
-
3
-
-
-
3
occurs
x
1
=
3
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
5
-
-
-
-
-
-
-
5
occurs
x
1
=
5
-
9
-
-
-
-
-
-
-
-
9
occurs
x
1
=
9
6
R
E
-
A
T
U
M
-
-
14
-
-
6
-
24
-
9
5
-
1
2
3
4
-
-
1+4
-
-
-
-
2+4
6
R
E
-
A
T
U
M
-
-
5
-
-
6
-
6
-
9
5
-
1
2
3
4
-
-
-
-
-
-
-
-
6
R
E
-
A
T
U
M
-
-
5
-
-
6
-
6

 

 

C
=
3
-
7
CREATUM
-
-
-
-
-
-
-
-
C
3
3
3
-
-
-
-
-
R
18
9
9
-
-
-
-
-
E
5
5
5
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
C
=
3
-
7
CREATUM
90
27
27
-
-
-
-
-
-
9+0
2+7
2+7
C
=
3
-
7
CREATUM
9
9
9

 

 

myEtymology.com: Latin etymology of creatum www.myetymology.com/latin/creatum.htm

Etymology of the Latin word creatum
the Latin word creatum (things made) derived from the Latin word creare (create, bring into being, make; institute; conjure up; be born; produce, bear fruit; bring about) derived from the Proto-Indo-European root *ker-
Derivations in Latin creatura derived from the Latin word creare (create, bring into being, make; institute; conjure up; be born; produce, bear fruit; bring about) ...

Creatum - Medieval Latin 105 https://coursewikis.fas.harvard.edu/ml105/Creatum
Creatum
From Medieval Latin 105
Jump to: navigation, search
creatum
Root: creo
Dictionary form: creo (adjective, positive)
participle, perfect, passive
accusative, masculine, singular

26 Aug 2009 – From Medieval Latin 105. ... Retrieved from "https:/ /coursewikis.fas.harvard.edu/ml105/Creatum" ...
Latin Word Study Tool www.perseus.tufts.edu/hopper/morph?l=creatum&la=la&prior...
Latin Word Study Tool. ("Agamemnon", "Hom. ... creatum, noun sg supine neut nom. creatum, part pl perf pass masc gen poetic. creatum, part pl perf pass neut ...
EUdict | creatum esse | Latin-Croatian dictionary www.eudict.com/index.php?lang=latcro&word=creatum%20esse
Latin-Croatian translation for creatum esse - online dictionary EUdict.com.
Needlebase - 1000 Common Latin Words - creo, creare, creavi, creatum https://pub.needlebase.com/actions/.../V2Visualizer.do?...latin...
1000 Common Latin Words ... current path creo, creare, creavi, creatum >>.

 

 

-
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
-
-
`-
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
-
-
-
3
9
5
-
-
-
-
+
=
17
1+7
=
8
=
8
=
8
-
7
3
18
5
-
-
-
-
+
=
26
2+6
=
8
=
8
=
8
-
`-
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
-
-
7
-
-
-
1
2
3
4
+
=
27
2+7
=
9
=
9
=
9
-
-
-
-
-
1
20
21
13
+
=
55
5+5
=
10
1+0
1
1+0
1
-
`-
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
-
-
-
`-
3
18
5
1
20
21
13
+
=
90
9+0
=
9
=
9
=
9
-
-
3
9
5
1
2
3
4
+
=
27
2+7
=
9
=
9
=
9
-
7
C
R
E
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
=
1
-
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
=
2
-
-
3
-
-
-
-
3
-
-
-
3
occurs
x
2
=
6
=
6
-
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
=
4
-
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
=
5
6
-
-
-
-
-
-
-
-
-
-
6
SIX
6
-
-
-
-
-
7
-
-
-
-
-
-
-
-
-
-
7
SEVEN
7
-
-
-
-
-
8
-
-
-
-
-
-
-
-
-
-
8
EIGHT
8
-
-
-
-
-
-
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
=
9
21
7
C
R
E
A
T
U
M
-
-
24
-
-
7
-
27
-
27
2+1
-
-
9
-
-
-
-
-
-
-
2+4
-
-
-
-
2+7
-
2+7
3
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9
-
9
-
-
3
9
5
1
2
3
4
-
-
-
-
-
-
-
-
-
-
3
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9
-
9

 

 

7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
`-
3
9
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
3
18
5
1
2
3
4
+
=
27
2+7
=
9
=
9
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
`-
3
9
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
3
18
5
1
2
3
4
+
=
27
2+7
=
9
=
9
7
C
R
E
A
T
U
M
-
-
-
-
-
--
-
-
`-
3
18
5
1
20
21
13
+
=
90
9+0
=
9
=
9
-
3
9
5
1
2
3
4
+
=
27
2+7
=
9
=
9
7
C
R
E
A
T
U
M
-T
-
-
-
-
-
-
-
-
-
-
-
1
-
-
-
-
-
1
occurs
x
1
=
1
-
-
-
-
-
2
-
-
-
-
2
occurs
x
1
=
2
-
3
-
-
-
-
3
-
-
-
3
occurs
x
2
=
6
-
-
-
-
-
-
-
4
-
-
4
occurs
x
1
=
4
-
-
-
5
-
-
-
-
-
-
5
occurs
x
1
=
5
-
-
9
-
-
-
-
-
-
-
9
occurs
x
1
=
9
7
C
R
E
A
T
U
M
-
-
24
-
-
7
-
27
-
-
9
-
-
-
-
-
-
-
2+4
-
-
-
-
2+7
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9
-
3
9
5
1
2
3
4
-
-
-
-
-
-
-
-
7
C
R
E
A
T
U
M
-
-
6
-
-
7
-
9

 

myEtymology.com: Latin etymology of creatum www.myetymology.com/latin/creatum.htm

Etymology of the Latin word creatum
the Latin word creatum (things made) derived from the Latin word creare (create, bring into being, make; institute; conjure up; be born; produce, bear fruit; bring about) derived from the Proto-Indo-European root *ker-
Derivations in Latin creatura derived from the Latin word creare (create, bring into being, make; institute; conjure up; be born; produce, bear fruit; bring about) ...


Creatum - Medieval Latin 105 https://coursewikis.fas.harvard.edu/ml105/Creatum

Creatum
From Medieval Latin 105
Jump to: navigation, search
creatum
Root: creo
Dictionary form: creo (adjective, positive)
participle, perfect, passive
accusative, masculine, singular

26 Aug 2009 – From Medieval Latin 105. ... Retrieved from "https:/ /coursewikis.fas.harvard.edu/ml105/Creatum" ...
Latin Word Study Tool www.perseus.tufts.edu/hopper/morph?l=creatum&la=la&prior...

Latin Word Study Tool. ("Agamemnon", "Hom. ... creatum, noun sg supine neut nom. creatum, part pl perf pass masc gen poetic. creatum, part pl perf pass neut ...
EUdict | creatum esse | Latin-Croatian dictionary www.eudict.com/index.php?lang=latcro&word=creatum%20esse

Latin-Croatian translation for creatum esse - online dictionary EUdict.com.
Needlebase - 1000 Common Latin Words - creo, creare, creavi, creatum https://pub.needlebase.com/actions/.../V2Visualizer.do?...latin...

1000 Common Latin Words ... current path creo, creare, creavi, creatum >>.

 

C
=
3
-
7
CREATUM
-
-
-
-
-
-
-
-
C
3
3
3
-
-
-
-
-
R
18
9
9
-
-
-
-
-
E
5
5
5
-
-
-
-
-
A
1
1
1
-
-
-
-
-
T
20
2
2
-
-
-
-
-
U
21
3
3
-
-
-
-
-
M
13
4
4
C
=
3
-
7
CREATUM
90
27
27
-
-
-
-
-
-
9+0
2+7
2+7
C
=
3
-
7
CREATUM
9
9
9

 

 

ATUM QUANTUM ATOM

QUANTUM

QUNATUM

ATUM

 

 

WORDS OF POWER

 

S
=
1
-
-
SOPHIA
-
-
-
-
-
-
-
1
S
19
10
1
-
-
-
-
1
O
15
6
6
-
-
-
-
1
P
16
7
7
-
-
-
-
1
H
8
8
8
-
-
-
-
1
I
9
9
9
-
-
-
-
1
A
1
1
1
S
=
1
-
6
SOPHIA
68
41
32
-
-
-
-
-
-
6+8
6+3
3+2
S
=
1
-
6
SOPHIA
14
5
5
-
-
-
-
-
-
1+4
-
-
S
=
1
-
6
SOPHIA
5
5
5

 

 

Sophia (wisdom) - Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Sophia_(wisdom)

Sophia ( Greek for "wisdom") is a central idea in Hellenistic philosophy and religion, Platonism, Gnosticism, Orthodox Christianity, Esoteric Christianity, ...
?Platonism - ?Hebrew Bible and Jewish texts - ?Christianity - ?Gnosticism

Sophia (wisdom)

From Wikipedia, the free encyclopedia

"Sapientia" redirects here. For the asteroid, see 275 Sapientia.

Personification of wisdom (in Greek, "Sophia") at the Celsus Library in Ephesus, Turkey.
Sophia (s?f?a, Greek for "wisdom") is a central idea in Hellenistic philosophy and religion, Platonism, Gnosticism, Orthodox Christianity, Esoteric Christianity, as well as Christian mysticism. Sophiology is a philosophical concept regarding wisdom, as well as a theological concept regarding the wisdom of the biblical God.

Sophia is honored as a goddess of wisdom by Gnostics, as well as by some Neopagan, New Age, and feminist-inspired Goddess spirituality groups. In Orthodox and Roman Catholic Christianity, Sophia, or rather Hagia Sophia (Holy Wisdom), is an expression of understanding for the second person of the Holy Trinity, (as in the dedication of the church of Hagia Sophia in Istanbul) as well as in the Old Testament, as seen in the Book of Proverbs 9:1, but not an angel or goddess.

Platonism[edit]

Plato, following his teacher, Socrates (and, it is likely, the older tradition of Pythagoras), understands philosophy as philo-sophia, or, literally, a friend of Wisdom. This understanding of philosophia permeates Plato's dialogues, especially the Republic. In that work, the leaders of the proposed utopia are to be philosopher kings: rulers who are friends of sophia or Wisdom.

Sophia is one of the four cardinal virtues in Plato's Protagoras.

The Pythian Oracle (Oracle of Delphi) reportedly answered the question of "who is the wisest man of Greece?" with "Socrates!" Socrates defends this verdict in his Apology to the effect that he, at least, knows that he knows nothing. As is evident in Plato's portrayals of Socrates, this does not mean Socrates' wisdom was the same as knowing nothing; but rather that his skepticism towards his own self-made constructions of knowledge left him free to receive true Wisdom as a spontaneous insight or inspiration. This contrasted with the attitude of contemporaneous Greek Sophists, who claimed to be wise and offered to teach wisdom for pay.

Sophia can be described as the wisdom of God, and, at times, as a pure virgin spirit which emanates from God. The Sophia is seen as being expressed in all creation and the natural world as well as, for some of the Christian mystics mentioned above, integral to the spiritual well-being of humankind, the church, and the cosmos. The Virgin is seen as outside creation but compassionately interceding on behalf of humanity to alleviate its suffering by illuminating true spiritual seekers with wisdom and the love of God.

Gnosticism[edit]

Main article: Sophia (Gnosticism)

Contemporary pagan Goddess worship[edit]

Sophia is widely worshiped as a goddess of wisdom by gnostics and pagans today, including wiccan spirituality.[19][20] Books relating to the contemporary pagan worship of the goddess Sophia include: Sophia, Goddess of Wisdom, by Caitlin Matthews, The Cosmic Shekinah by Sorita d'Este and David Rankine (which includes Sophia as one of the major aspects of the goddess of wisdom), and Inner Gold: Understanding Psychological Projection by Robert A. Johnson.

New Age spirituality[edit]

The goddess Sophia was introduced into Anthroposophy by its founder, Rudolf Steiner, in his book The Goddess: From Natura to Divine Sophia and a later compilation of his writings titled Isis Mary Sophia. Sophia also figures prominently in Theosophy, a spiritual movement which Anthroposophy was closely related to. Helena Blavatsky, the founder of Theosophy, described it in her essay What is Theosophy? as an esoteric wisdom doctrine, and said that the "Wisdom" referred to was "an emanation of the Divine principle" typified by "...some goddesses -- Metis, Neitha, Athena, the Gnostic Sophia..."[21]

 

 

S
=
1
-
-
SOPHIA
-
-
-
-
-
-
-
1
S
19
10
1
-
-
-
-
1
O
15
6
6
-
-
-
-
1
P
16
7
7
-
-
-
-
1
H
8
8
8
-
-
-
-
1
I
9
9
9
-
-
-
-
1
A
1
1
1
S
=
1
-
6
SOPHIA
68
41
32
-
-
-
-
-
-
6+8
6+3
3+2
S
=
1
-
6
SOPHIA
14
5
5
-
-
-
-
-
-
1+4
-
-
S
=
1
-
6
SOPHIA
5
5
5

 

 

-
-
-
-
-
SOPHIA
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
6
1
1
S
19
10
1
-
1
2
3
4
5
-
-
-
-
O
=
5
2
1
O
15
6
6
-
-
2
3
4
5
6
-
-
-
P
=
4
3
1
P
16
7
7
-
-
2
3
4
5
-
7
-
-
H
=
9
4
1
H
8
8
8
-
-
2
3
4
5
-
-
8
-
I
=
7
5
1
I
9
9
9
-
-
2
3
4
5
-
-
-
9
A
=
3
6
1
A
1
1
1
-
1
2
3
4
5
-
-
-
-
-
-
32
-
6
SOPHIA
68
41
32
-
2
2
3
4
5
6
7
8
9
-
-
3+2
-
-
-
6+8
6+3
3+2
-
-
-
-
-
-
-
-
-
-
-
-
5
-
6
SOPHIA
14
5
5
-
2
2
3
4
5
6
7
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
-
6
SOPHIA
5
5
5
-
2
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
SOPHIA
-
-
-
-
1
6
7
8
9
S
=
6
1
1
S
19
10
1
-
1
-
-
-
-
O
=
5
2
1
O
15
6
6
-
-
6
-
-
-
P
=
4
3
1
P
16
7
7
-
-
-
7
-
-
H
=
9
4
1
H
8
8
8
-
-
-
-
8
-
I
=
7
5
1
I
9
9
9
-
-
-
-
-
9
A
=
3
6
1
A
1
1
1
-
1
-
-
-
-
-
-
32
-
6
SOPHIA
68
41
32
-
2
6
7
8
9
-
-
3+2
-
-
-
6+8
6+3
3+2
-
-
-
-
-
-
-
-
5
-
6
SOPHIA
14
5
5
-
2
6
7
8
9
-
-
-
-
-
-
1+4
-
-
-
-
-
-
-
-
-
-
5
-
6
SOPHIA
5
5
5
-
2
6
7
8
9

 

 

WORDS OF POWER

 

Oedipus - Wikipedia

Oedipus was a mythical Greek king of Thebes. A tragic hero in Greek mythology, Oedipus accidentally fulfilled a prophecy that he would end up killing his father ...

Oedipus Ancient Greek: Oidípous meaning "swollen foot") was a mythical Greek king of Thebes. A tragic hero in Greek mythology, Oedipus accidentally fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.

The story of Oedipus is the subject of Sophocles' tragedy Oedipus Rex, which was followed by Oedipus at Colonus and then Antigone. Together, these plays make up Sophocles' three Theban plays. Oedipus represents two enduring themes of Greek myth and drama: the flawed nature of humanity and an individual's role in the course of destiny in a harsh universe.

In the most well-known version of the myth, Oedipus was born to King Laius and Queen Jocasta. Laius wished to thwart a prophecy, so he left Oedipus to die on a mountainside. However, the baby was found by shepherds and raised by King Polybus and Queen Merope as their own. Oedipus learned from the oracle at Delphi of the prophecy that he would end up killing his father and marrying his mother but, unaware of his true parentage, believed he was fated to murder Polybus and marry Merope, so left for Thebes. On his way he met an older man and quarrelled, and Oedipus killed the stranger. Continuing on to Thebes, he found that the king of the city (Laius) had been recently killed, and that the city was at the mercy of the Sphinx. Oedipus answered the monster's riddle correctly, defeating it and winning the throne of the dead king - and the hand in marriage of the king's widow, and (unbeknownst to him) his mother Jocasta.

Years later, to end a plague on Thebes, Oedipus searched to find who had killed Laius, and discovered that he himself was responsible. Jocasta, upon realizing that she had married both her own son, and her husband's murderer, hanged herself. Oedipus then seized two pins from her dress and blinded himself with them.

 

 

-
-
-
-
-
OEDIPUS
-
-
-
-
1
2
3
4
5
6
7
8
9
O
=
6
1
1
O
15
6
6
-
-
2
-
-
-
6
-
8
-
E
=
5
2
1
E
5
5
5
-
-
2
-
-
5
-
-
8
-
D
=
4
3
1
D
13
4
4
-
-
2
-
4
-
-
-
8
-
I
=
9
4
1
I
9
9
9
-
-
2
-
-
-
-
-
8
9
P
=
7
5
1
P
16
7
7
-
-
2
-
-
-
-
7
8
-
U
=
3
6
1
U
21
3
3
-
-
2
3
-
-
-
-
8
-
S
=
1
7
1
S
19
10
1
-
1
2
-
-
-
-
-
8
-
-
-
35
-
7
OEDIPUS
89
44
35
-
1
2
3
4
5
6
7
8
9
-
-
3+5
-
-
-
8+9
4+4
3+5
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
OEDIPUS
17
8
8
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
1+7
-
4+2
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
OEDIPUS
8
8
8
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
OEDIPUS
-
-
-
-
1
3
4
5
6
7
9
O
=
6
1
1
O
15
6
6
-
-
-
-
-
6
-
-
E
=
5
2
1
E
5
5
5
-
-
-
-
5
-
-
-
D
=
4
3
1
D
13
4
4
-
-
-
4
-
-
-
-
I
=
9
4
1
I
9
9
9
-
-
-
-
-
-
-
9
P
=
7
5
1
P
16
7
7
-
-
-
-
-
-
7
-
U
=
3
6
1
U
21
3
3
-
-
3
-
-
-
-
-
S
=
1
7
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
35
-
7
OEDIPUS
89
44
35
-
1
3
4
5
6
7
9
-
-
3+5
-
-
-
8+9
4+4
3+5
-
-
-
-
-
-
-
-
-
-
8
-
7
OEDIPUS
17
8
8
-
1
3
4
5
6
7
9
-
-
-
-
-
-
1+7
-
4+2
-
-
-
-
-
-
-
-
-
-
8
-
7
OEDIPUS
8
8
8
-
1
3
4
5
6
7
9

 

 

-
-
-
-
-
OEDIPUS
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
7
1
S
19
10
1
-
1
2
-
-
-
-
-
8
-
U
=
3
6
1
U
21
3
3
-
-
2
3
-
-
-
-
8
-
D
=
4
3
1
D
13
4
4
-
-
2
-
4
-
-
-
8
-
E
=
5
2
1
E
5
5
5
-
-
2
-
-
5
-
-
8
-
O
=
6
1
1
O
15
6
6
-
-
2
-
-
-
6
-
8
-
P
=
7
5
1
P
16
7
7
-
-
2
-
-
-
-
7
8
-
I
=
9
4
1
I
9
9
9
-
-
2
-
-
-
-
-
8
9
-
-
35
-
7
OEDIPUS
89
44
35
-
1
2
3
4
5
6
7
8
9
-
-
3+5
-
-
-
8+9
4+4
3+5
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
OEDIPUS
17
8
8
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
-
1+7
-
4+2
-
-
-
-
-
-
-
-
-
-
-
-
8
-
7
OEDIPUS
8
8
8
-
1
2
3
4
5
6
7
8
9

 

 

-
-
-
-
-
OEDIPUS
-
-
-
-
1
3
4
5
6
7
9
S
=
1
7
1
S
19
10
1
-
1
-
-
-
-
-
-
U
=
3
6
1
U
21
3
3
-
-
3
-
-
-
-
-
D
=
4
3
1
D
13
4
4
-
-
-
4
-
-
-
-
E
=
5
2
1
E
5
5
5
-
-
-
-
5
-
-
-
O
=
6
1
1
O
15
6
6
-
-
-
-
-
6
-
-
P
=
7
5
1
P
16
7
7
-
-
-
-
-
-
7
-
I
=
9
4
1
I
9
9
9
-
-
-
-
-
-
-
9
-
-
35
-
7
OEDIPUS
89
44
35
-
1
3
4
5
6
7
9
-
-
3+5
-
-
-
8+9
4+4
3+5
-
-
-
-
-
-
-
-
-
-
8
-
7
OEDIPUS
17
8
8
-
1
3
4
5
6
7
9
-
-
-
-
-
-
1+7
-
4+2
-
-
-
-
-
-
-
-
-
-
8
-
7
OEDIPUS
8
8
8
-
1
3
4
5
6
7
9

 

 

 AMEN ALL MEN ALL MEN AMEN

AMEN ALL WOMEN ALL WOMEN AMEN

NAME AMEN NAME AMEN NAME AMEN NAME.
973AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA .

 

QUO VADIS

Quo vadis - Wikipedia, the free encyclopedia Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian ... en.wikipedia.org/wiki/Quo_vadis

Quo vadis? is a Latin phrase meaning "Where are you going?" or "Whither goest thou?". The modern usage of the phrase refers to a legend in Christian tradition, related in the apocryphal Acts of Peter (Vercelli Acts XXXV), in which Saint Peter meets Jesus as Peter is fleeing from likely crucifixion in Rome. Peter asks Jesus the question; Jesus' answer, "I am going to Rome to be crucified again" (Eo Romam iterum crucifigi), prompts Peter to gain the courage to continue his ministry and eventually become a martyr.

The phrase also occurs a few times in the Vulgate translation of the Bible, notably including the occurrence in John 13:36 in which Peter also asks the question of Jesus, after the latter announces he is going to where his followers cannot come.

 

7
WHITHER
91
46
1
5
GOEST
66
21
3
4
THOU
64
19
1
16
-
221
86
5
1+6
-
2+2+1
8+6
-
7
-
5
14
5
-
-
-
1+4
-
7
-
5
5
5

 

Quo Vadis. I fled by night and in the grey of dawn met on the lonely way a man I knew but could not name. He said “Good morning”, I the same ...
rtnl.org.uk/now_and_then/html/242.html

 

Quo Vadis
I fled by night and in the grey
of dawn met on the lonely way
a man I knew but could not name.
He said “Good morning”, I the same
and asked if he was going far.
He said “As far as Golgotha.”
And then I knew and the cock crew.

 

Quo vadis is a Latin phrase meaning "Where are you going?"

It is used as a proverbial phrase from the Bible (John 13:36, 16:5)....

en.wikipedia.org/wiki/Quo_Vadis -

 

 

A

MYSTERIOUS

VOICE IN THE NIGHT

LOVE EVOLVE EVOLVE LOVE

ISISIS

THE

PATH OF PTAH

GODS DIVINE THOUGHT DIVINEGODS

ISISIS

ISISIS DIVINE LOVE GODS LOVE DIVINE ISISIS

REAL REALITY REVEALED REVEALED REAL REALITY

 

B
=
2
-
4
BODY
46
19
1
S
=
1
-
4
SOUL
67
13
4
M
=
4
-
4
MIND
40
22
4
-
-
7
-
12
Add to Reduce
153
54
9
-
-
-
-
1+2
Reduce to Deduce
1+5+3
5+4
-
-
-
7
-
3
Essence of Number
9
9
9

 

AMEN ALL MEN AMEN ALL WOMEN AMEN

NAME AMEN MANE MEAN

NAME AMEN NAME AMEN NAME

AMEN MEAN NAME MANE

AMEN THE NAME THE NAME AMEN

973AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA973

 

 

 

 

GODS SPIRIT GODS

ISIS OSIRIS VISHNU SHIVA SHRI KRISHNA SHRISTI RISHI ISHI CHRIST

SING A SONG OF NINES OF NINES A SONG SING

 

4
GODS
45
18
9
6
SPIRIT
91
37
1
4
ISIS
89
35
8
6
OSIRIS
89
35
8
4
IRIS
55
28
1
6
VISHNU
93
30
3
5
SHIVA
59
59
4
7
KRISHNA
80
35
3
7
SHRISTI
102
39
3
5
RISHI
63
36
9
4
ISHI
45
27
9
6
CHRIST
77
32
5

 

 

HOLY BIBLE

Scofield References

Page 1145

John 21:11

Simon Peter went up, and drew the net to land, full of great fishes,

an

hundred and fifty and three:

and for all there were so many, yet was not the net broken

 

SIMON PETER WENT UP AND DREW THE NET TO LAND FULL OF GREAT FISHES

AN

HUNDRED AND FIFTY AND THREE

 

 

-
-
-
-
-
SUN EARTH MOON
-
-
-
S
=
1
-
3
S+U+N
54
9
9
E
=
5
-
5
E+A+R+T+H
52
25
7
M
=
4
-
4
M+O+O+N
57
21
3
-
-
10
-
12
SUN EARTH MOON
163
55
19
-
-
1+0
-
1+2
-
1+6+3
5+5
1+9
-
-
1
-
3
SUN EARTH MOON
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
-
-
1
-
3
SUN EARTH MOON
1
1
1

 

 

-
SUN
-
-
-
3
S+U+N
54
9
9
-
SUN
-
-
-

 

 

-
EARTH
-
-
-
5
E+A+R+T+H
52
25
7
-
EARTH
-
-
-

 

 

-
MOON
-
-
-
4
M+O+O+N
57
21
3
-
MOON
-
-
-

 

 

-
-
-
-
-
SUN EARTH MOON
-
-
-
S
=
1
-
3
S+U+N
54
9
9
E
=
5
-
5
E+A+R+T+H
52
25
7
M
=
4
-
4
M+O+O+N
57
21
3
-
-
10
-
12
SUN EARTH MOON
163
55
19
-
-
1+0
-
1+2
-
1+6+3
5+5
1+9
-
-
1
-
3
SUN EARTH MOON
10
10
10
-
-
-
-
-
-
1+0
1+0
1+0
-
-
1
-
3
SUN EARTH MOON
1
1
1

 

 

T
=
2
3
THE
33
15
6
H
=
8
4
HOLY
60
24
6
P
=
7
5
PEACE
30
21
3
M
=
4
4
MAKE
30
12
3
-
-
21
16
Add to Reduce
153
72
18
-
-
2+1
1+6
Reduce to Deduce
1+5+3
7+2
1+8
-
-
3
7
Essence of Number
9
9
9

 

 

7
PERFECT
73
37
1
2
IN
23
14
5
5
PEACE
30
21
3
2
IN
23
14
5
5
PEACE
30
21
3
7
PERFECT
73
37
1

 

 

R
=
9
-
3
RAW
42
15
6
W
=
5
-
3
WAR
42
15
6
G
=
7
-
4
GORY
65
29
2
G
=
7
-
5
GLORY
77
32
5
-
-
28
-
15
First Total
226
91
19
-
-
2+8
-
1+5
Add to Reduce
2+2+6
9+1
1+9
-
-
10
-
6
Second Total
10
10
10
-
-
1+0
-
-
Reduce to Deduce
1+0
1+0
1+0
-
-
1
-
6
Essence of Number
1
1
1

 

 

S
=
1
-
3
SEE
29
11
2
S
=
1
-
3
SEE
29
11
2
W
=
5
-
5
WHERE
59
32
5
C
=
3
-
7
CHRISTS
96
33
6
B
=
2
-
5
BLOUD
54
18
9
S
=
1
-
8
STREAMES
100
28
1
I
=
9
-
2
IN
23
14
5
T
=
2
-
3
THE
33
15
6
F
=
6
-
9
FIRMAMENT
99
45
9
-
-
33
-
45
-
522
207
45
-
-
3+3
-
4+5
-
5+2+2
2+0+7
4+5
-
-
6
-
9
-
9
9
9

 

 

The

HOLY BIBLE

Page 604

PSALM 14

A

Psalm of David

The fool hath said in his heart,"There is no God."

 

"THE FOOL HATH SAID IN HIS HEART THERE IS NO GOD"

 

 

T
=
2
-
3
THE
33
15
6
F
=
6
-
4
FOOL
48
21
3
H
=
8
-
4
HATH
37
19
1
S
=
1
-
4
SAID
33
24
6
I
=
9
-
2
IN
23
14
5
H
=
8
-
3
HIS
36
18
9
H
=
8
-
5
HEART
52
25
7
T
=
2
-
5
THERE
56
29
2
I
=
9
-
2
IS
28
19
1
N
=
5
-
2
NO
29
11
2
G
=
7
-
3
GOD
26
17
8
-
-
65
-
37
First Total
401
212
50
-
-
6+5
-
3+7
Add to Reduce
4+0+1
2+1+2
5+0
-
-
11
-
10
Second Total
5
5
5
-
-
1+1
-
1+0
Reduce to Deduce
-
-
-
-
-
2
-
1
Essence of Number
5
5
5

 

 

U
=
3
-
6
URANUS
94
22
4
G
=
7
-
4
GAEA
14
14
5
-
-
10
-
10
Add to Reduce
108
36
9
-
-
1+0
-
1+0
Reduce to Deduce
1+0+8
3+6
-
-
-
1
-
1
Essence of Number
9
9
9

 

 

T
=
2
-
3
THE
33
15
6
G
=
7
-
3
GOD
26
17
8
D
=
4
-
8
DELUSION
99
36
9
-
-
13
-
14
First Total
158
68
23
-
-
1+3
-
1+4
Add to Reduce
1+5+8
6+8
2+3
-
-
4
-
5
Second Total
14
14
5
-
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
4
-
5
Essence of Number
5
5
5

 

 

The God Delusion | Books | The Guardian

Arts › Books › Richard Dawkins

23 Sep 2006 - In the course of his work, the evolutionary theorist Richard Dawkins has long asserted that belief in God is both irrational and profoundly ...

The God Delusion

In the course of his work, the evolutionary theorist Richard Dawkins has long asserted that belief in God is both irrational and profoundly harmful to society. In his latest book, published by Bantam Press, he tackles the subject head on, exposing both religion's faulty logic and the widespread suffering it causes. This extract is taken from the opening chapter

Chapter 1
A deeply religious non-believer

I don't try to imagine a personal God; it suffices to stand in awe at the structure of the world, insofar as it allows our inadequate senses to appreciate it.
Albert Einstein

Carl Sagan, in Pale Blue Dot, wrote:
How is it that hardly any major religion has looked at science and concluded, "This is better than we thought! The Universe is much bigger than our prophets said, grander, more subtle, more elegant"? Instead they say, "No, no, no! My god is a little god, and I want him to stay that way". A religion, old or new, that stressed the magnificence of the Universe as revealed by modern science might be able to draw forth reserves of reverence and awe hardly tapped by the conventional faiths.

"He's positive science is incompatible with religion, but he waxes ecstatic about nature and the universe. To me, that is religion!" But is 'religion' the right word? I don't think so. The Nobel Prize-winning physicist (and atheist) Steven Weinberg made the point as well as anybody, in Dreams of a Final Theory:

Some people have views of God that are so broad and flexible that it is inevitable that they will find God wherever they look for him. One hears it said that 'God is the ultimate' or 'God is our better nature' or 'God is the universe.' Of course, like any other word, the word 'God' can be given any meaning we like. If you want to say that 'God is energy,' then you can find God in a lump of coal.

Weinberg is surely right that, if the word God is not to become completely useless, it should be used in the way people have generally understood it: to denote a supernatural creator that is "appropriate for us to worship".

Much unfortunate confusion is caused by failure to distinguish what can be called Einsteinian religion from supernatural religion. Einstein sometimes invoked the name of God (and he is not the only atheistic scientist to do so), inviting misunderstanding by supernaturalists eager to misunderstand and claim so illustrious a thinker as their own. The dramatic (or was it mischievous?) ending of Stephen Hawking's A Brief History of Time, "For then we should know the mind of God", is notoriously misconstrued. It has led people to believe, mistakenly of course, that Hawking is a religious man. The cell biologist Ursula Goodenough, in The Sacred Depths of Nature, sounds more religious than Hawking or Einstein. She loves churches, mosques and temples, and numerous passages in her book fairly beg to be taken out of context and used as ammunition for supernatural religion. She goes so far as to call herself a 'Religious Naturalist'. Yet a careful reading of her book shows that she is really as staunch an atheist as I am.

But philosophers use 'naturalist' in a very different sense, as the opposite of supernaturalist. Julian Baggini explains in Atheism: A Very Short Introduction the meaning of an atheist's commitment to naturalism: "What most atheists do believe is that although there is only one kind of stuff in the universe and it is physical, out of this stuff come minds, beauty, emotions, moral values - in short the full gamut of phenomena that gives richness to human life."

'Naturalist' is an ambiguous word. For me it conjures my childhood hero, Hugh Lofting's Doctor Dolittle (who, by the way, had more than a touch of the 'philosopher' naturalist of HMS Beagle about him). In the eighteenth and nineteenth centuries, naturalist meant what it still means for most of us today: a student of the natural world. Naturalists in this sense, from Gilbert White on, have often been clergymen. Darwin himself was destined for the Church as a young man, hoping that the leisurely life of a country parson would enable him to pursue his passion for beetles. But philosophers use 'naturalist' in a very different sense, as the opposite of supernaturalist. Julian Baggini explains in Atheism: A Very Short Introduction the meaning of an atheist's commitment to naturalism: "What most atheists do believe is that although there is only one kind of stuff in the universe and it is physical, out of this stuff come minds, beauty, emotions, moral values - in short the full gamut of phenomena that gives richness to human life."

Human thoughts and emotions emerge from exceedingly complex interconnections of physical entities within the brain. An atheist in this sense of philosophical naturalist is somebody who believes there is nothing beyond the natural, physical world, no supernatural creative intelligence lurking behind the observable universe, no soul that outlasts the body and no miracles - except in the sense of natural phenomena that we don't yet understand. If there is something that appears to lie beyond the natural world as it is now imperfectly understood, we hope eventually to understand it and embrace it within the natural. As ever when we unweave a rainbow, it will not become less wonderful.

Great scientists of our time who sound religious usually turn out not to be so when you examine their beliefs more deeply. This is certainly true of Einstein and Hawking. The present Astronomer Royal and President of the Royal Society, Martin Rees, told me that he goes to church as an "unbelieving Anglican ... out of loyalty to the tribe". He has no theistic beliefs, but shares the poetic naturalism that the cosmos provokes in the other scientists I have mentioned. In the course of a recently televised conversation, I challenged my friend the obstetrician Robert Winston, a respected pillar of British Jewry, to admit that his Judaism was of exactly this character and that he didn't really believe in anything supernatural. He came close to admitting it but shied at the last fence (to be fair, he was supposed to be interviewing me, not the other way around). When I pressed him, he said he found that Judaism provided a good discipline to help him structure his life and lead a good one. Perhaps it does; but that, of course, has not the smallest bearing on the truth value of any of its supernatural claims. There are many intellectual atheists who proudly call themselves Jews and observe Jewish rites, perhaps out of loyalty to an ancient tradition or to murdered relatives, but also because of a confused and confusing willingness to label as 'religion' the pantheistic reverence which many of us share with its most distinguished exponent, Albert Einstein. They may not believe but, to borrow Dan Dennett's phrase, they "believe in belief".

One of Einstein's most eagerly quoted remarks is "Science without religion is lame, religion without science is blind." But Einstein also said,

It was, of course, a lie what you read about my religious convictions, a lie which is being systematically repeated. I do not believe in a personal God and I have never denied this but have expressed it clearly. If something is in me which can be called religious then it is the unbounded admiration for the structure of the world so far as our science can reveal it.

The one thing all his theistic critics got right was that Einstein was not one of them. He was repeatedly indignant at the suggestion that he was a theist. So, was he a deist, like Voltaire and Diderot? Or a pantheist, like Spinoza, whose philosophy he admired: "I believe in Spinoza's God who reveals himself in the orderly harmony of what exists, not in a God who concerns himself with fates and actions of human beings"?

Let's remind ourselves of the terminology. A theist believes in a supernatural intelligence who, in addition to his main work of creating the universe in the first place, is still around to oversee and influence the subsequent fate of his initial creation. In many theistic belief systems, the deity is intimately involved in human affairs. He answers prayers; forgives or punishes sins; intervenes in the world by performing miracles; frets about good and bad deeds, and knows when we do them (or even think of doing them). A deist, too, believes in a supernatural intelligence, but one whose activities were confined to setting up the laws that govern the universe in the first place. The deist God never intervenes thereafter, and certainly has no specific interest in human affairs. Pantheists don't believe in a supernatural God at all, but use the word God as a nonsupernatural synonym for Nature, or for the Universe, or for the lawfulness that governs its workings. Deists differ from theists in that their God does not answer prayers, is not interested in sins or confessions, does not read our thoughts and does not intervene with capricious miracles. Deists differ from pantheists in that the deist God is some kind of cosmic intelligence, rather than the pantheist's metaphoric or poetic synonym for the laws of the universe. Pantheism is sexed-up atheism. Deism is watered-down theism.

There is every reason to think that famous Einsteinisms like "God is subtle but he is not malicious" or "He does not play dice" or "Did God have a choice in creating the Universe?" are pantheistic, not deistic, and certainly not theistic. "God does not play dice" should be translated as "Randomness does not lie at the heart of all things." "Did God have a choice in creating the Universe?" means "Could the universe have begun in any other way?" Einstein was using 'God' in a purely metaphorical, poetic sense. So is Stephen Hawking, and so are most of those physicists who occasionally slip into the language of religious metaphor. Paul Davies's The Mind of God seems to hover somewhere between Einsteinian pantheism and an obscure form of deism - for which he was rewarded with the Templeton Prize (a very large sum of money given annually by the Templeton Foundation, usually to a scientist who is prepared to say something nice about religion).

Let me sum up Einsteinian religion in one more quotation from Einstein himself: "To sense that behind anything that can be experienced there is a something that our mind cannot grasp and whose beauty and sublimity reaches us only indirectly and as a feeble reflection, this is religiousness. In this sense I am religious." In this sense I too am religious, with the

reservation that "cannot grasp" does not have to mean "forever ungraspable". But I prefer not to call myself religious because it is misleading. It is destructively misleading because, for the vast majority of people, 'religion' implies 'supernatural'. Carl Sagan put it well: "... if by "God" one means the set of physical laws that govern the universe, then clearly there is such a God. This God is emotionally unsatisfying ... it does not make much sense to pray to the law of gravity."

Amusingly, Sagan's last point was foreshadowed by the Reverend Dr Fulton J Sheen, a professor at the Catholic University of America, as part of a fierce attack upon Einstein's 1940 disavowal of a personal God. Sheen sarcastically asked whether anyone would be prepared to lay down his life for the Milky Way. He seemed to think he was making a point against Einstein, rather than for him, for he added: "There is only one fault with his cosmical religion: he put an extra letter in the word - the letter "s"." There is nothing comical about Einstein's beliefs. Nevertheless, I wish that physicists would refrain from using the word God in their special metaphorical sense. The metaphorical or pantheistic God of the physicists is light years away from the interventionist, miracle wreaking, thought-reading, sin-punishing, prayer-answering God of the Bible, of priests, mullahs and rabbis, and of ordinary language. Deliberately to confuse the two is, in my opinion, an act of intellectual high treason.

· The God Delusion by Richard Dawkins

 

 

T
=
2
-
3
THE
33
15
6
G
=
7
-
3
GOD
26
17
8
D
=
4
-
8
DELUSION
99
36
9
-
-
13
-
14
First Total
158
68
23
-
-
1+3
-
1+4
Add to Reduce
1+5+8
6+8
2+3
-
-
4
-
5
Second Total
14
14
5
-
-
-
-
-
Reduce to Deduce
1+4
1+4
-
-
-
4
-
5
Essence of Number
5
5
5

 

 

E
=
5
-
-
FOURTEEN
-
-
-
-
-
-
-
1
F
6
6
6
-
-
-
-
1
O
15
6
6
-
-
-
-
1
U
21
3
3
-
-
-
-
1
R
18
9
9
-
-
-
-
1
T
20
2
2
-
-
-
-
1
E
5
5
5
-
-
-
-
1
E
5
5
5
-
-
-
-
1
N
14
5
5
E
=
5
-
8
FOURTEEN
104
41
41
-
-
-
-
-
-
1+0+4
4+1
4+1
E
=
5
-
8
FOURTEEN
5
5
5
-
-
-
-
-
-
-
-
-
E
=
5
-
8
FOURTEEN
5
5
5

 

 

Meme - Wikipedia

The word meme is a shortening (modeled on gene) of mimeme (from Ancient Greek pronounced mimema, "imitated thing", from mimeisthai, "to imitate", from mimos, "mime") coined by British evolutionary biologist Richard Dawkins in The Selfish Gene (1976) as a concept for discussion of ...

meme
noun
noun: meme; plural noun: memes

1. an element of a culture or system of behaviour passed from one individual to another by imitation or other non-genetic means.

2. an image, video, piece of text, etc., typically humorous in nature, that is copied and spread rapidly by Internet users, often with slight variations.

 

-
MEME
-
-
-
2
M+E
18
9
9
2
M+E
18
9
9
4
MEME
36
18
18
-
-
3+6
1+8
1+8
4
MEME
9
9
9

 

 

-
MNEMONICS
-
-
-
2
M+N
27
9
9
2
E+M
18
9
9
1
O
15
6
6
4
N+I+C+S
45
27
9
9
MNEMONICS
105
51
33
-
-
1+5+1
5+1
3+3
9
MNEMONICS
6
6
6

 

 

-
-
-
-
-
MNEMONICS
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
1
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
N
=
5
2
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
M
=
4
4
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
O
=
6
5
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
N
=
5
6
1
N
14
5
5
-
-
-
-
-
5
-
-
-
-
I
=
9
7
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
C
=
3
8
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
S
=
1
9
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
42
-
9
MNEMONICS
105
51
42
-
1
2
3
8
15
6
7
8
9
-
-
4+2
-
-
-
1+5+1
5+1
4+2
-
-
-
-
-
1+5
-
-
-
-
-
-
6
-
9
MNEMONICS
6
6
6
-
1
2
3
8
6
6
7
8
9

 

 

-
-
-
-
-
MNEMONICS
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
1
1
M
13
4
4
-
-
2
-
4
-
-
7
8
-
N
=
5
2
1
N
14
5
5
-
-
2
-
-
5
-
7
8
-
E
=
5
3
1
E
5
5
5
-
-
2
-
-
5
-
7
8
-
M
=
4
4
1
M
13
4
4
-
-
2
-
4
-
-
7
8
-
O
=
6
5
1
O
15
6
6
-
-
2
-
-
-
6
7
8
-
N
=
5
6
1
N
14
5
5
-
-
2
-
-
5
-
7
8
-
I
=
9
7
1
I
9
9
9
-
-
2
-
-
-
-
7
8
9
C
=
3
8
1
C
3
3
3
-
-
2
3
-
-
-
7
8
-
S
=
1
9
1
S
19
10
1
-
1
2
-
-
-
-
7
8
-
-
-
42
-
9
MNEMONICS
105
51
42
-
1
2
3
8
15
6
7
8
9
-
-
4+2
-
-
-
1+5+1
5+1
4+2
-
-
-
-
-
1+5
-
-
-
-
-
-
6
-
9
MNEMONICS
6
6
6
-
1
2
3
8
6
6
7
8
9

 

 

-
-
-
-
-
MNEMONICS
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
9
1
S
19
10
1
-
1
2
-
-
-
-
7
8
-
C
=
3
8
1
C
3
3
3
-
-
2
3
-
-
-
7
8
-
M
=
4
1
1
M
13
4
4
-
-
2
-
4
-
-
7
8
-
M
=
4
4
1
M
13
4
4
-
-
2
-
4
-
-
7
8
-
N
=
5
2
1
N
14
5
5
-
-
2
-
-
5
-
7
8
-
E
=
5
3
1
E
5
5
5
-
-
2
-
-
5
-
7
8
-
N
=
5
6
1
N
14
5
5
-
-
2
-
-
5
-
7
8
-
O
=
6
5
1
O
15
6
6
-
-
2
-
-
-
6
7
8
-
I
=
9
7
1
I
9
9
9
-
-
2
-
-
-
-
7
8
9
-
-
42
-
9
MNEMONICS
105
51
42
-
1
2
3
8
15
6
7
8
9
-
-
4+2
-
-
-
1+5+1
5+1
4+2
-
-
-
-
-
1+5
-
-
-
-
-
-
6
-
9
MNEMONICS
6
6
6
-
1
2
3
8
6
6
7
8
9

 

 

-
-
-
-
-
MNEMONICS
-
-
-
-
1
3
4
5
6
9
S
=
1
9
1
S
19
10
1
-
1
-
-
-
-
-
C
=
3
8
1
C
3
3
3
-
-
3
-
-
-
-
M
=
4
1
1
M
13
4
4
-
-
-
4
-
-
-
M
=
4
4
1
M
13
4
4
-
-
-
4
-
-
-
N
=
5
2
1
N
14
5
5
-
-
-
-
5
-
-
E
=
5
3
1
E
5
5
5
-
-
-
-
5
-
-
N
=
5
6
1
N
14
5
5
-
-
-
-
5
-
-
O
=
6
5
1
O
15
6
6
-
-
-
-
-
6
-
I
=
9
7
1
I
9
9
9
-
-
-
-
-
-
9
-
-
42
-
9
MNEMONICS
105
51
42
-
1
3
8
15
6
9
-
-
4+2
-
-
-
1+5+1
5+1
4+2
-
-
-
-
1+5
-
-
-
-
6
-
9
MNEMONICS
6
6
6
-
1
3
8
6
6
9

 

 

-
MNEMONICS
-
-
-
2
M+N
27
9
9
2
E+M
18
9
9
1
O
15
6
6
1
I
18
9
9
3
N+C+S
36
9
9
9
MNEMONICS
105
51
42
-
-
1+5+1
5+1
4+2
9
MNEMONICS
6
6
6

 

 

U
=
3
-
6
URANUS
94
22
4
G
=
7
-
4
GAEA
14
14
5
-
-
10
-
10
Add to Reduce
108
36
9
-
-
1+0
-
1+0
Reduce to Deduce
1+0+8
3+6
-
-
-
1
-
1
Essence of Number
9
9
9

 

 

 

 

THINK YOU THANK YOU THANK YOU THINK YOU

THANK YOU THINK YOU THINK YOU THANK YOU

FOR YOU I THANK THE ANKH THE ANKH FOR YOU I THANK

 

 

B
=
2
-
8
BREAKING
67
40
4
T
=
2
-
7
THROUGH
97
43
7
T
=
2
-
3
THE
33
15
6
V
=
4
-
4
VEIL
48
21
3
-
-
10
-
22
First Total
245
119
20
-
-
1+0
-
2+2
Add to Reduce
2+4+5
1+1+9
2+0
-
-
1
-
4
Second Total
11
11
2
-
-
-
-
-
Reduce to Deduce
1+1
1+1
-
-
-
1
-
4
Essence of Number
2
2
4

 

 

V
=
4
-
4
VEIL
48
21
3
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LIVE
48
21
3
-
-
-
-
-
-
-
-
-
E
=
5
-
4
EVIL
48
21
3
-
-
-
-
-
-
-
-
-
V
=
4
-
4
VILE
48
21
3
-
-
-
-
-
-
-
-
-
L
=
3
-
4
LEVI
48
21
3

 

 

B
=
2
-
6
BEYOND
65
29
2
T
=
2
-
3
THE
33
15
6
V
=
4
-
4
VEIL
48
21
3
A
=
1
-
7
ANOTHER
81
36
9
V
=
4
-
4
VEIL
48
21
3
A
=
1
-
7
ANOTHER
81
36
9
V
=
4
-
4
VEIL
48
21
3
B
=
2
-
6
BEYOND
65
29
2
-
-
20
-
41
First Total
469
208
37
-
-
2+0
-
4+1
Add to Reduce
4+6+9
2+0+8
3+7
-
-
2
-
5
Second Total
19
10
10
-
-
-
-
-
Reduce to Deduce
1+9
1+0
1+0
-
-
2
-
5
ThirdTotal
10
1
1
-
-
-
-
-
Reduce to Deduce
1+0
1+1
-
-
-
2
-
5
Essence of Number
1
1
1

 

 

When I Consider How My Light is Spent - Wikipedia
https://en.wikipedia.org/wiki/When_I_Consider_How_My_Light_is_Spent
When I Consider How My Light Is Spent by John Milton - Poems ...

www.poets.org/poetsorg/poem/when-i-consider-how-my-light-spent
Composed sometime between 1652 and 1655, John Milton's “Sonnet 19 [When I consider how my light is spent]" grapples with the subject of the poet's blindness later in life, as well as his changing relationship with God.
When I Consider How My Light Is Spent is one of the best known of the sonnets of John Milton (d. 1674). The last three lines (concluding with "They also serve who only stand and wait.") are particularly well known, though rarely quoted in context.

The sonnet was first published in Milton's 1673 Poems. In his autograph notebook (known as the "Trinity Manuscript" from its location in the Wren Library of Trinity College, Cambridge), Milton gave the sonnet the number 19, but in the published book it was numbered 16 (see Kelley, 1956;[1] Revard, 2009,[2] p. 569), so both numbers are in use for it. It is popularly given the title On His Blindness, but there is no evidence that Milton used this title; it was assigned a century later by Thomas Newton in his 1761 edition of Milton's poetry,[3] as was commonly done at the time by editors of posthumous collections (Ferry, 1996, p. 18[4]).

 

WHEN I CONSIDER HOW MY LIGHT IS SPENT

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
6
MILTON
83
29
2
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
O
=
6
-
2
ON
29
11
2
-
-
-
-
-
-
-
-
-
-
H
=
8
-
3
HIS
36
18
9
-
-
-
-
-
-
-
-
-
-
B
=
2
-
9
BLINDNESS
98
35
8
-
-
-
-
-
-
-
-
-
-
-
-
16
-
14
-
163
64
19
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
W
=
5
1
4
WHEN
50
23
5
-
-
-
3
4
5
-
7
8
-
I
=
9
2
1
I
9
9
9
-
-
-
3
4
-
-
7
8
9
C
=
3
3
8
CONSIDER
87
42
6
-
-
-
3
4
-
6
7
8
-
H
=
8
4
3
HOW
46
19
1
-
1
-
3
4
-
-
7
8
-
M
=
4
5
2
MY
38
11
2
-
-
2
3
4
-
-
7
8
-
L
=
3
6
5
LIGHT
56
29
2
-
-
2
3
4
-
-
7
8
-
I
=
9
7
2
IS
28
10
1
-
1
-
3
4
-
-
7
8
-
S
=
1
8
5
SPENT
74
20
2
-
-
2
3
4
-
-
7
8
-
-
-
42
-
30
First Total
388
163
28
-
2
6
3
4
5
6
7
8
9
-
-
4+2
-
3+0
Add to Reduce
3+8+8
1+6+3
2+8
-
-
-
-
-
-
-
-
-
-
-
-
6
-
3
Second Total
19
10
10
-
2
6
3
4
5
6
7
8
9
-
-
-
-
-
Reduce to Deduce
1+9
1+0
1+0
-
-
-
-
-
-
-
-
-
-
-
-
6
-
3
Third Total
10
1
1
-
2
6
3
4
5
6
7
8
9
-
-
-
-
-
Add to Reduce
1+0
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
3
Essence of Number
1
1
1
-
2
6
3
4
5
6
7
8
9

 

THEY ALSO SERVE WHO ONLY STAND AND WAIT

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
4
STAR
58
13
4
-
-
-
-
4
5
6
-
-
9
O
=
6
2
2
OF
21
12
3
-
-
-
3
-
5
6
-
-
9
W
=
5
3
6
WONDER
79
34
7
-
-
-
-
-
5
6
7
-
9
-
-
12
-
12
-
158
59
14
-
-
-
-
-
5
6
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
6
-
-
9
S
=
1
4
4
STAR
58
13
4
-
-
-
-
4
5
6
-
-
9
O
=
6
5
2
OF
21
12
3
-
-
-
3
-
5
6
-
-
9
L
=
3
6
5
LIGHT
56
29
2
-
-
2
-
-
5
6
-
-
9
-
-
10
-
11
-
135
54
9
-
-
-
-
-
5
6
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
6
-
-
9
S
=
1
7
4
STAR
58
13
4
-
-
-
-
4
5
6
-
-
9
O
=
6
8
2
OF
21
12
3
-
-
-
3
-
5
6
-
-
9
R
=
9
9
5
ROYAL
71
26
8
-
-
-
-
-
5
6
-
8
9
B
=
2
10
6
BEAUTY
74
20
2
-
-
2
-
-
5
6
-
-
9
B
=
2
11
6
BRIGHT
64
37
1
-
1
-
-
-
5
6
-
-
9
-
-
20
-
23
-
288
108
18
-
-
-
-
-
5
6
-
-
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
5
6
-
-
9
-
-
42
-
46
First Total
581
221
41
-
1
4
9
12
5
6
7
8
9
-
-
4+2
-
4+6
Add to Reduce
5+8+1
2+2+1
4+1
-
-
-
-
1+2
-
-
-
-
-
-
-
6
-
10
Second Total
14
5
5
-
1
4
9
3
5
6
7
8
9
-
-
-
-
1+0
Reduce to Deduce
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
1
Essence of Number
5
5
5
-
1
4
9
3
5
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
1
4
STAR
58
13
4
-
-
-
-
4
5
6
-
-
9
O
=
6
2
2
OF
21
12
3
-
-
-
3
-
5
6
-
-
9
W
=
5
3
6
WONDER
79
34
7
-
-
-
-
-
5
6
7
-
9
S
=
1
4
4
STAR
58
13
4
-
-
-
-
4
5
6
-
-
9
O
=
6
5
2
OF
21
12
3
-
-
-
3
-
5
6
-
-
9
L
=
3
6
5
LIGHT
56
29
2
-
-
2
-
-
5
6
-
-
9
S
=
1
7
4
STAR
58
13
4
-
-
-
-
4
5
6
-
-
9
O
=
6
8
2
OF
21
12
3
-
-
-
3
-
5
6
-
-
9
R
=
9
9
5
ROYAL
71
26
8
-
-
-
-
-
5
6
-
8
9
B
=
2
10
6
BEAUTY
74
20
2
-
-
2
-
-
5
6
-
-
9
B
=
2
11
6
BRIGHT
64
37
1
-
1
-
-
-
5
6
-
-
9
-
-
42
-
46
First Total
581
221
41
-
1
4
9
12
5
6
7
8
9
-
-
4+2
-
4+6
Add to Reduce
5+8+1
2+2+1
4+1
-
-
-
-
1+2
-
-
-
-
-
-
-
6
-
10
Second Total
14
5
5
-
1
4
9
3
5
6
7
8
9
-
-
-
-
1+0
Reduce to Deduce
1+4
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
-
1
Essence of Number
5
5
5
-
1
4
9
3
5
6
7
8
9

 

 

 

 

THE HOLY BIBLE

SAINT JOHN

Scofield References

Page 1117

C 3 V 3

JESUS ANSWERED AND SAID UNTO HIM

VERILY VERILY I SAY UNTO YOU

UNLESS A MAN BE BORN AGAIN HE CANNOT SEE THE KINGDOM OF GOD

6

THAT WHICH IS BORN OF THE FLESH IS FLESH AND THAT WHICH IS BORN OF THE SPIRIT IS SPIRIT

7

MARVEL NOT THAT I SAID UNTO THEE YE MUST BE BORN AGAIN

8

THE WIND BLOWETH WHERE IT LISTETH AND THOU HEAREST THE SOUNDS THEREOF

BUT CANST NOT TELL WHENCE IT COMETH AND WHITHER IT GOETH SO IS EVERYONE BORN OF THE SPIRIT

 

 

6 6 6 AZIN 6 6 6

IS

SIX SIX SIX AND SIX SIX SIX

IS

777

 

RE THE HOLY FAMILY
REMEMBER THE HOLY SEVEN
...THE ROOT NUMBER OF THE 6 LETTERED JOSEPH = 1 (6+1) = 7
THE ROOT NUMBER OF THE 5 LETTERED JESUS = 2 (2+5) = 7
THE ROOT NUMBER OF THE 4 LETTERED MARY = 3 (4+3) = 7

 

 

J
=
1
-
6
JOSEPH
73
28
1
J
=
1
-
5
JESUS
74
11
2
M
=
4
-
4
MARY
57
21
3
-
-
6
-
15
-
204
60
6
-
-
-
-
1+5
-
2+0+4
6+0
-
-
-
-
-
6
-
6
6
6
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
6
JOSEPH
1
6+1
7
-
-
-
-
5
JESUS
2
5+2
7
-
-
-
-
4
MARY
3
4+3
7

 

 

J
=
1
6
JOSEPH
73
37
1
J
=
1
5
JESUS
74
29
2
M
=
4
4
MARY
57
21
3

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
3
SUN
54
18
9
-
-
-
-
-
-
-
-
-
-
E
=
5
-
5
EARTH
52
25
7
-
-
-
-
-
-
-
-
-
-
M
=
4
-
4
MOON
57
21
3
-
-
-
-
-
-
-
-
-
-
-
-
10
-
12
-
163
55
19
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
HERACLITUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
2
TO
35
8
8
-
-
-
3
-
-
-
-
8
-
B
=
2
2
2
BE
7
7
7
-
-
-
3
-
-
-
7
-
-
W
=
5
3
4
WISE
56
20
2
-
-
2
3
-
-
-
-
-
-
I
=
9
4
2
IS
28
10
1
-
1
-
3
-
-
-
-
-
-
O
=
6
5
3
ONE
34
16
7
-
-
-
3
-
-
-
7
-
-
T
=
2
6
5
THING
58
31
4
-
-
-
3
4
-
-
-
-
-
-
-
26
-
18
-
218
92
29
-
-
-
18
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
T
=
2
7
2
TO
35
8
8
-
-
-
3
-
-
-
-
8
-
S
=
1
8
3
SEE
29
11
2
-
-
2
3
-
-
-
-
-
-
T
=
2
9
3
THE
33
15
6
-
-
-
3
-
-
6
-
-
-
T
=
2
10
7
THOUGHT
99
36
9
-
-
-
3
-
-
-
-
-
9
B
=
2
11
2
BY
27
9
9
-
-
-
3
-
-
-
-
-
9
W
=
5
12
5
WHICH
51
33
6
-
-
-
3
-
-
6
-
-
-
A
=
1
13
3
ALL
25
7
7
-
-
-
3
-
-
-
7
-
-
T
=
2
14
6
THINGS
77
32
5
-
-
-
3
-
5
-
-
-
-
A
=
1
15
3
ARE
24
15
6
-
-
-
3
-
-
6
-
-
-
G
=
7
15
6
GUIDED
50
32
5
-
-
-
3
-
5
-
-
-
-
T
=
2
17
7
THROUGH
97
43
7
-
-
-
3
-
-
-
7
-
-
A
=
1
18
3
ALL
25
7
7
-
-
-
3
-
-
-
7
-
-
T
=
2
19
6
THINGS
77
32
5
-
-
-
3
-
5
-
-
-
-
-
-
30
-
56
-
649
280
82
-
-
-
39
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
56
-
74
First Total
867
372
111
-
1
4
57
4
15
18
35
16
18
-
-
5+6
-
7+4
Add to Reduce
8+6+7
3+7+2
1+1+1
-
-
-
5+7
-
1+5
1+8
3+5
1+6
1+8
-
-
11
-
11
Second Total
12
12
3
-
1
4
12
4
6
9
8
7
9
-
-
1+1
-
1+1
Reduce to Deduce
1+2
1+2
-
-
-
-
1+2
-
-
-
-
-
-
-
-
2
-
2
Essence of Number
3
3
3
-
1
4
3
4
6
9
8
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
3
SUN
54
18
9
-
-
-
-
-
-
-
-
-
-
E
=
5
-
5
EARTH
52
25
7
-
-
-
-
-
-
-
-
-
-
M
=
4
-
4
MOON
57
21
3
-
-
-
-
-
-
-
-
-
-
-
-
10
-
12
-
163
55
19
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
HERACLITUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
2
TO
35
8
8
-
-
-
3
-
-
-
-
8
-
B
=
2
2
2
BE
7
7
7
-
-
-
3
-
-
-
7
-
-
W
=
5
3
4
WISE
56
20
2
-
-
2
3
-
-
-
-
-
-
I
=
9
4
2
IS
28
10
1
-
1
-
3
-
-
-
-
-
-
O
=
6
5
3
ONE
34
16
7
-
-
-
3
-
-
-
7
-
-
T
=
2
6
5
THING
58
31
4
-
-
-
3
4
-
-
-
-
-
T
=
2
7
2
TO
35
8
8
-
-
-
3
-
-
-
-
8
-
S
=
1
8
3
SEE
29
11
2
-
-
2
3
-
-
-
-
-
-
T
=
2
9
3
THE
33
15
6
-
-
-
3
-
-
6
-
-
-
T
=
2
10
7
THOUGHT
99
36
9
-
-
-
3
-
-
-
-
-
9
B
=
2
11
2
BY
27
9
9
-
-
-
3
-
-
-
-
-
9
W
=
5
12
5
WHICH
51
33
6
-
-
-
3
-
-
6
-
-
-
A
=
1
13
3
ALL
25
7
7
-
-
-
3
-
-
-
7
-
-
T
=
2
14
6
THINGS
77
32
5
-
-
-
3
-
5
-
-
-
-
A
=
1
15
3
ARE
24
15
6
-
-
-
3
-
-
6
-
-
-
G
=
7
15
6
GUIDED
50
32
5
-
-
-
3
-
5
-
-
-
-
T
=
2
17
7
THROUGH
97
43
7
-
-
-
3
-
-
-
7
-
-
A
=
1
18
3
ALL
25
7
7
-
-
-
3
-
-
-
7
-
-
T
=
2
19
6
THINGS
77
32
5
-
-
-
3
-
5
-
-
-
-
-
-
56
-
74
First Total
867
372
111
-
1
4
57
4
15
18
35
16
18
-
-
5+6
-
7+4
Add to Reduce
8+6+7
3+7+2
1+1+1
-
-
-
5+7
-
1+5
1+8
3+5
1+6
1+8
-
-
11
-
11
Second Total
12
12
3
-
1
4
12
4
6
9
8
7
9
-
-
1+1
-
1+1
Reduce to Deduce
1+2
1+2
-
-
-
-
1+2
-
-
-
-
-
-
-
-
2
-
2
Essence of Number
3
3
3
-
1
4
3
4
6
9
8
7
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
-
3
SUN
54
18
9
-
-
-
-
-
-
-
-
-
-
E
=
5
-
5
EARTH
52
25
7
-
-
-
-
-
-
-
-
-
-
M
=
4
-
4
MOON
57
21
3
-
-
-
-
-
-
-
-
-
-
-
-
10
-
12
-
163
55
19
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
-
-
-
-
-
HERACLITUS
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
I
=
9
4
2
IS
28
10
1
-
1
-
3
-
-
-
-
-
-
W
=
5
3
4
WISE
56
20
2
-
-
2
3
-
-
-
-
-
-
S
=
1
8
3
SEE
29
11
2
-
-
2
3
-
-
-
-
-
-
T
=
2
6
5
THING
58
31
4
-
-
-
3
4
-
-
-
-
-
T
=
2
14
6
THINGS
77
32
5
-
-
-
3
-
5
-
-
-
-
G
=
7
15
6
GUIDED
50
32
5
-
-
-
3
-
5
-
-
-
-
T
=
2
19
6
THINGS
77
32
5
-
-
-
3
-
5
-
-
-
-
T
=
2
9
3
THE
33
15
6
-
-
-
3
-
-
6
-
-
-
W
=
5
12
5
WHICH
51
33
6
-
-
-
3
-
-
6
-
-
-
A
=
1
15
3
ARE
24
15
6
-
-
-
3
-
-
6
-
-
-
B
=
2
2
2
BE
7
7
7
-
-
-
3
-
-
-
7
-
-
O
=
6
5
3
ONE
34
16
7
-
-
-
3
-
-
-
7
-
-
A
=
1
13
3
ALL
25
7
7
-
-
-
3
-
-
-
7
-
-
T
=
2
17
7
THROUGH
97
43
7
-
-
-
3
-
-
-
7
-
-
A
=
1
18
3
ALL
25
7
7
-
-
-
3
-
-
-
7
-
-
T
=
2
1
2
TO
35
8
8
-
-
-
3
-
-
-
-
8
-
T
=
2
7
2
TO
35
8
8
-
-
-
3
-
-
-
-
8
-
T
=
2
10
7
THOUGHT
99
36
9
-
-
-
3
-
-
-
-
-
9
B
=
2
11
2
BY
27
9
9
-
-
-
3
-
-
-
-
-
9
-
-
56
-
74
First Total
867
372
111
-
1
4
57
4
15
18
35
16
18
-
-
5+6
-
7+4
Add to Reduce
8+6+7
3+7+2
1+1+1
-
-
-
5+7
-
1+5
1+8
3+5
1+6
1+8
-
-
11
-
11
Second Total
12
12
3
-
1
4
12
4
6
9
8
7
9
-
-
1+1
-
1+1
Reduce to Deduce
1+2
1+2
-
-
-
-
1+2
-
-
-
-
-
-
-
-
2
-
2
Essence of Number
3
3
3
-
1
4
3
4
6
9
8
7
9

 

THREES 3 THREES

THREES 30 THREES

THREES 75 THREES

LOOK AT THE THREES LOOK AT THE THREES LOOK AT THE THREES THE THREES THE THREES

 

 

METEMPSYCHOSIS

 

14
METEMPSYCHOSIS
-
-
-
-
M+E
18
9
9
-
T
20
2
2
-
E+M
18
9
9
-
P+S+Y+C
63
27
9
-
H+O+S
42
24
6
-
I
9
9
9
-
S
19
10
1
14
METEMPSYCHOSIS
189
90
45
1+4
-
1+8+9
9+0
4+5
-
-
18
9
9
-
-
1+8
-
-
5
METEMPSYCHOSIS
9
9
9

 

 

14
METEMPSYCHOSIS
-
-
-
-
M+E+T+E+M+P
72
27
9
-
S+Y+C+H+O+S
89
44
8
-
I
9
9
9
-
S
19
10
1
1+4
METEMPSYCHOSIS
189
90
27
-
-
1+8+9
9+0
2+7
-
-
18
9
9
-
-
1+8
-
-
5
METEMPSYCHOSIS
9
9
9

 

 

-
METEMPSYCHOSIS
-
-
-
-
-
-
-
-
-
I
9
9
9
-
M+E
18
9
9
-
-
-
-
-
-
-
-
METEMPSYCHOSIS
-
-
-
-
M+E
18
9
9
-
T+E+M
38
11
2
-
P+S+Y+C+H+O+S+I+S
133
70
7
14
METEMPSYCHOSIS
189
90
18
1+4
-
1+8+9
9+0
1+8
-
-
18
9
9
-
-
1+8
-
-
5
METEMPSYCHOSIS
9
9
9

 

 

-
-
-
-
-
METEMPSYCHOSIS
-
-
-
-
1
2
3
4
5
6
7
8
9
M
=
4
1
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
2
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
T
=
2
3
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
E
=
5
4
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
M
=
4
5
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
P
=
7
6
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
S
=
1
7
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
Y
=
7
8
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
C
=
3
9
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
H
=
8
10
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
O
=
6
11
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
S
=
1
12
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
S
=
1
14
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
-
-
63
-
14
METEMPSYCHOSIS
189
90
63
-
3
2
3
8
10
6
14
8
9
-
-
6+3
-
1+4
-
1+8+9
9+0
6+3
-
-
-
-
-
1+0
-
1+4
-
-
-
-
9
-
5
METEMPSYCHOSIS
18
9
9
-
3
2
3
8
1
6
5
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
5
METEMPSYCHOSIS
9
9
9
-
3
2
3
8
1
6
5
8
9

 

 

-
-
-
-
-
METEMPSYCHOSIS
-
-
-
-
1
2
3
4
5
6
7
8
9
S
=
1
14
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
12
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
S
=
1
7
1
S
19
10
1
-
1
-
-
-
-
-
-
-
-
T
=
2
3
1
T
20
2
2
-
-
2
-
-
-
-
-
-
-
C
=
3
9
1
C
3
3
3
-
-
-
3
-
-
-
-
-
-
M
=
4
1
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
M
=
4
5
1
M
13
4
4
-
-
-
-
4
-
-
-
-
-
E
=
5
2
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
E
=
5
4
1
E
5
5
5
-
-
-
-
-
5
-
-
-
-
O
=
6
11
1
O
15
6
6
-
-
-
-
-
-
6
-
-
-
Y
=
7
8
1
Y
25
7
7
-
-
-
-
-
-
-
7
-
-
P
=
7
6
1
P
16
7
7
-
-
-
-
-
-
-
7
-
-
H
=
8
10
1
H
8
8
8
-
-
-
-
-
-
-
-
8
-
I
=
9
13
1
I
9
9
9
-
-
-
-
-
-
-
-
-
9
-
-
63
-
14
METEMPSYCHOSIS
189
90
63
-
3
2
3
8
10
6
14
8
9
-
-
6+3
-
1+4
-
1+8+9
9+0
6+3
-
-
-
-
-
1+0
-
1+4
-
-
-
-
9
-
5
METEMPSYCHOSIS
18
9
9
-
3
2
3
8
1
6
5
8
9
-
-
-
-
-
-
1+8
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
5
METEMPSYCHOSIS
9
9
9
-
3
2
3
8
1
6
5
8
9

 

 

The Magic Mountain
Thomas Mann 1875-1955

Page 511

"Hermetics - what a lovely word "
"...It sounds like magiking,and has all sorts of vague and extended associations .You must excuse my speaking of such a thing but it reminds me of the conserve jars that our housekeeper ..."
"...keeps in her larder. She has rows of them on her shelves, air-tight glasses full of fruit and meat and all sorts of things.They stand there maybe a whole year-you open them as you need them and the contents are as fresh as on the day they were put up, you can eat them just as they are.To be sure, that isn't alchemy or purification, it is simply conserving , hence the word conserve.The magic part of it lies in the fact that the stuff that is conserved is withdrawn from the effects of time, it is hermetically sealed from time, time passes it by, it stand there on its shelf shut away from time."

 

 

sun

energy

energy

energy

energy

energy

energy

energy

energy

energy

energy

rrrraaaaaaaahhhhhhhhhhhhhhhh!

OBJECTIVE REALITY

poems and essays by

lloyd c.daniel1985

 

 

H
=
8
-
5
HUMAN
57
21
3
C
=
3
-
13
CONSCIOUSNESS
175
49
4
-
-
11
-
18
Add to Reduce
232
70
7
-
-
1+1
-
1+8
Reduce to Deduce
2+3+2
7+0
-
Q
-
2
-
9
Essence of Number
7
7
7

 

 

G
=
7
-
3
GOD
26
17
8
C
=
3
-
9
CONSCIOUS
118
37
1
-
-
10
-
12
Add to Reduce
144
54
9
-
-
1+0
-
1+2
Reduce to Deduce
1+4+4
5+4
-
Q
-
1
-
3
Essence of Number
9
9
9

 

 

I'M LATE I'M LATE FOR A VERY IMPORTANT DATE

NO TIME TO SAY HELLO GOODBYE I'M LATE LATE LATE

 

 

I
=
9
-
2
I'M
22
13
4
L
=
3
-
4
LATE
38
11
2
I
=
9
-
2
I'M
22
13
4
L
=
3
-
4
LATE
38
11
2
F
=
6
-
3
FOR
39
21
3
A
=
1
5
1
A
1
1
1
V
=
4
-
4
VERY
70
25
7
I
=
9
-
9
IMPORTANT
126
45
9
D
=
4
-
4
DATE
30
12
3
N
=
5
-
2
NO
29
11
2
T
=
2
-
4
TIME
47
20
2
T
=
2
-
2
TO
35
8
8
S
=
1
-
3
SAY
45
9
9
H
=
8
-
5
HELLO
52
25
7
G
=
7
-
7
GOODBYE
73
37
1
I
=
9
-
2
I'M
22
13
4
L
=
3
-
4
LATE
38
11
2
I
=
9
-
2
I'M
22
13
4
L
=
3
-
4
LATE
38
11
2
I
=
9
-
2
I'M
22
13
4
L
=
3
-
4
LATE
38
11
2
-
-
117
-
74
First Total
847
334
82
-
-
1+1+7
-
7+4
Add to Reduce
8+4+7
3+3+4
8+2
Q
-
9
-
11
Second Total
19
10
10
-
-
-
-
1+1
Reduce to Deduce
1+9
1+0
1+0
-
-
9
-
2
Third Total
10
1
1
-
-
-
-
-
Add to Reduce
1+0
-
-
-
-
9
5
2
Essence of Number
1
1
1

 

 

4
LIFE
-
-
-
1
L
12
3
3
1
I
9
9
9
1
F
6
6
6
1
E
5
5
5
4
LIFE
32
23
23
-
-
3+2
2+3
2+3
4
LIFE
5
5
5

 

 

4
FILE
-
-
-
1
L
12
3
3
1
I
9
9
9
1
F
6
6
6
1
E
5
5
5
4
FILE
32
23
23
-
-
3+2
2+3
2+3
4
FILE
5
5
5

 

 

4
LIFE
-
-
-
1
F
6
6
6
1
I
9
9
9
1
L
12
3
3
1
E
5
5
5
4
LIFE
32
23
23
-
-
3+2
2+3
2+3
4
LIFE
5
5
5

 

 

U
=
3
-
6
URANUS
94
22
4
G
=
7
-
4
GAEA
14
14
5
-
-
10
-
10
Add to Reduce
108
36
9
-
-
1+0
-
1+0
Reduce to Deduce
1+0+8
3+6
-
-
-
1
-
1
Essence of Number
9
9
9

 

 

CITY OF REVELATION

John Michell 1972

Page 77

CHAPTER SEVEN

3168, The Perimeter of the Temple

"If the numbers of the sacred principles, mentioned by St John in connection with the New Jerusalem, are obtained from the Greek text by the cabalistic method of gematria, it is found that they correspond to the dimensions of the city, set out in Fig 16. (Figure omitted) For example, the perimeter of a hexagon contained within the circle representing the earth, 7920 feet in diameter, measures 2376 feet, and 2376 is the number of (Greek text omitted), the twelve apostles of the Lamb (Revelation 21.14). 2376 x 2 feet is equal to 1746 MY, and 1745 = (Greek text omitted), the twelve apostles. The names of the apostles are said to be in the twelve foundations of the wall of the city. The wall is the circle of diameter 7920 feet and 14,400 cubits in circumference, and the foundations are the twelve corners of the double hexagon inscribed within it, fonowing the customary pattern of an astrological chart. The position of the twelve apostles in the scheme is thus clearly defined.
Of all the canonical numbers the most notable is 3168. The New Jerusalem measures 48,000 furlongs or 31,680,000 feet round the perimeter of its four sides; the mean perimeter of the Stonehenge sarsen circle is 316.8 feet; the perimeter of the square 12 hides of Glastonbury is 31,680 feet; the significance of 31,680 in the canon of cosmology is illustrated in Fig.11, and we shall also find this number set round the border of Plato's mystical city, described in Laws.
Obviously the number 3168 had an important symbolic meaning, the Christian interpretation of which is provided in New Testament
gematria. The most sacred name of Christianity is (Greek text omitted);
(Greek text omitted), Lord Jesus Christ, and the number of these three words together is 3168. (Greek text omitted) is an astrological term meaning the ruler or dominant influence.
Another sacred phrase from the New Testament, (Greek text omitted) the Power of Christ (2 Corinthians 12.9) has the value 3168 if the alternative spelling of Christos, (Greek text omitted) is adopted.

Page 78

The perimeter of the temple is 3168, Lord Jesus Christ, when the temple is measured by the foot, the most sacred unit of ancient metrology. In terms of the megalithic yard (2.72 feet), however, the perimeter measures 1164, because 3168 feet = 1164 MY. Yet this makes no difference to the symbolic interpretation by gematria, for 1164 is the number of another name of Christ, (Greek text omitted) Son of God.

As a geodetic or earth-measuring number, 3168 also demonstrates the antiquity and sacred origin of British metrology, for
31,680 inches = half a mile

31,680 ft. = 6 miles.

31,680 furlongs = 3960 miles = radius of the earth.

31,680 miles = perimeter of square containing the terrestrial sphere.

31,680 miles = circumference of circle drawn on the combined diameters of the earth and moon (10,080 miles)

Other cosmological correspondences of 3168 are given on page 109.

The Stonehenge sarsen circle with circumference of 316.8 feet
contains an area of 888 square yards, 888 being the number of Jesus, which is equal to 1080 square MY. The circle contained within a square of perimeter 316.8 feet, corresponding to the bluestone circle at Stonehenge, has an area of 666 square MY. Thus the two stone circles at Stonehenge have areas of 1080 and 666 square MY, these two numbers representing the opposite poles of lunar and solar or negative and positive energy.
The number 144 or 122 is characteristic of the New Jerusalem scheme, and 3168 demonstrates the value of (pi symbol 22/7 omitted) in terms of this number, for 144 x 7 = 1008 and 144 x 22 = 3168.

3168 in Plato's city
A remarkable use of the number 3168 occurs in Plato's account in Book V of.Laws of the mystical dimensions of the perfect city. Throughout his work Plato makes guarded reference to a secret canon of numbers that applies universally to every aspect of human life and activity, including government, astronomy, acoustics, kinetics, plane and solid geometry and divination. Linear measurements, areas and volumes are obviously incommensurable, but Plato declares that there are certain numbers that link these with each other and with all phenomena capable of being measured. As an example of these numbers, the study of which Plato recommends as the most sanctifying of all pursuits, he gives 5040. This is the ideal number of citizens in the state and serves other purposes in con­/ Page 79 / nection with the framing of laws and standards. The reason why it is most suitable for all matters of division is that for its size it has the greatest number of divisors, 60 in all, including the entire decad, the numbers 1 - 10. Another property of the number 5040 is that it is the radius of a circle with circumference 31,680. Further examina­tion of the numerical foundations of Plato's state shows that the scheme to which he refers is the ancient plan of the cosmic temple.
The lawgivers in Plato's state are reminded that the perfect human society would be one in which all possessions, wives, children, land and chattels were held in common, where all the citizens were of one mind and acted together so harmoniously that it were as if eyes, ears and hands were also common property. To keep this ideal alive is the function of the prophet. Human nature and conditioning, however, demand a more practical alternative, 'very near to the first in immortality and second to it in merit'. This is provided in Laws V.
Plato's state is arranged in a manner that can scarcely be under­stood literally, and is obviously intended, like the New Jerusalem, as a geometer's allegory. The land is all divided into twelve parts, each dedicated to one of the twelve gods and populated by one of the twelve tribes of the 5040 households. The city is similarly divided, forming a microcosm of the state as a whole. In the centre of the city is the acropolis and 'from this centre he must divide up the city itself and the whole country into twelve parts. The twelve parts must be equalised by making those of good land small and those of inferior land greater. He must mark off 5040 allotments, and each of these he must cut in two and join two pieces to form the allotments, so that each contains a near piece and a distant piece - joining the piece next to the city with the piece furthest off, the second nearest with the second furthest, and so on with the rest.'
The only way in which this division can be represented is by a circle of radius 5040, a hundred times larger than that of Stonehenge measured in feet; the perimeter of this circle is 31 ,680. In Fig. 24 (Figure 24 omitted) the radius of the circle should be divided equally into 5040 parts to produce 5040 concentric circles. These are bisected into 10,080 semi­circles by the diameter and positioned out in Plato's manner into 5040 double allotments, each of equal area.
In this scheme 31,680 is not only the circumferenceof the circular state, but also the area of each of its 2520 pairs of rings, proving Plato's assertion that linear and area pleasurements can be made / Page 80 / (Figure 24 omitted) commensurable by number. The entire circle is divided into two halves, each containing 39,916,800 square units of land. These numbers, which are inherent in the New Jerusalem scheme, have the following significance:
31,680 is divisible by all the numbers1-12 with the exception of 7

50401 x 2 x 3 x 4 x 5x 6 x 7

39,916,800 = 1 x 2 x 3 x 4 x 5x 6 x 7 x 8 x 9 x.10 x 11

5040, the radius of the circular city, is the product of the numbers1 - 7; 7920, the side of the square city, is the product of numbers 8 - 11. In each case the perimeter of the city is 31,680. In Plato's Republic is the famous, cryptic reference to the 'marriage number', which should be consulted by the guardians of the state in all matters relating to the seasonal union of male and female. There appear to be two numbers involved, adding up to a third, but the riddle is so obscure that no firm solution has been reached despite the vast literature on the subject. For various reasons the number 12,960,000 or 36002 is most commonly proposed, and this would seem appropriate, for 12,960 = 5040 + 7920. 12,960 therefore represents the union of square and circle, symbol of the sacred marriage, and the gematria is also appropriate, for 1296 = (Greek text omitted) Mary mother of Jesus.

FIGURE 24 (Figure omitted) Plato's city divided into 5040 rings, Perimeter = 31,680, Areas: A + a = B + b = C + c = 31,680.

 

 

-
FIFTY FOUR
-
-
-
1
F
6
6
6
1
I
9
9
9
1
F
6
6
6
2
TY
45
9
9
1
F
6
6
6
2
OUR
54
18
9
9
FIFTY FOUR
126
54
45
-
-
1+2+6
5+4
4+5
9
FIFTY FOUR
9
9
9

 

 

-
FIFTY FOUR
-
-
-
1
F
6
6
6
1
I
9
9
9
1
F
6
6
6
2
TY
45
9
9
1
F
6
6
6
2
OU
36
9
9
1
R
18
9
9
9
FIFTY FOUR
126
54
45
-
-
1+2+6
5+4
4+5
9
FIFTY FOUR
9
9
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
L
=
3
-
5
LIGHT
56
29
2
-
-
-
-
-
-
-
-
-
-
W
=
5
-
5
WAVES
70
25
7
-
-
-
-
-
-
-
-
-
-
-
-
14
-
10
-
126
54
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
LIGHT WAVES
-
-
-
-
1
2
3
4
5
6
7
8
9
L
=
3
1
1
L
12
3
3
-
-
-
3
-
-
6
-
-
-
I
=
9
2
1
I
9
9
9
-
-
-
-
-
-
6
-
-
9
G
=
7
3
1
G
7
7
7
-
-
-
-
-
-
6
7
-
-
H
=
8
4
1
H
8
8
8
-
-
-
-
-
-
6
-
8
-
T
=
2
5
1
T
20
2
2
-
-
2
-
-
-
6
-
-
-
W
=
5
6
1
W
23
5
5
-
-
-
-
-
5
6
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
6
-
-
-
V
=
4
8
1
V
22
4
4
-
-
-
-
4
-
6
-
-
-
E
=
5
9
1
E
5
5
5
-
-
-
-
-
5
6
-
-
-
S
=
1
10
1
S
19
10
1
-
1
-
-
-
-
6
-
-
-
-
-
45
-
10
LIGHT WAVES
126
54
45
-
2
2
3
4
10
60
7
8
9
-
-
6+5
-
1+0
-
1+2+6
5+4
5+4
-
-
-
-
-
1+0
6+0
-
-
-
-
-
9
-
1
LIGHT WAVES
9
9
9
-
2
2
3
4
1
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
1
LIGHT WAVES
9
9
9
-
2
2
3
4
1
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
L
=
3
-
5
LIGHT
56
29
2
-
-
-
-
-
-
-
-
-
-
W
=
5
-
5
WAVES
70
25
7
-
-
-
-
-
-
-
-
-
-
-
-
14
-
10
-
126
54
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
LIGHT WAVES
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
6
-
-
-
S
=
1
10
1
S
19
10
1
-
1
-
-
-
-
6
-
-
-
T
=
2
5
1
T
20
2
2
-
-
2
-
-
-
6
-
-
-
L
=
3
1
1
L
12
3
3
-
-
-
3
-
-
6
-
-
-
V
=
4
8
1
V
22
4
4
-
-
-
-
4
-
6
-
-
-
W
=
5
6
1
W
23
5
5
-
-
-
-
-
5
6
-
-
-
E
=
5
9
1
E
5
5
5
-
-
-
-
-
5
6
-
-
-
G
=
7
3
1
G
7
7
7
-
-
-
-
-
-
6
7
-
-
H
=
8
4
1
H
8
8
8
-
-
-
-
-
-
6
-
8
-
I
=
9
2
1
I
9
9
9
-
-
-
-
-
-
6
-
-
9
-
-
45
-
10
LIGHT WAVES
126
54
45
-
2
2
3
4
10
60
7
8
9
-
-
6+5
-
1+0
-
1+2+6
5+4
5+4
-
-
-
-
-
1+0
6+0
-
-
-
-
-
9
-
1
LIGHT WAVES
9
9
9
-
2
2
3
4
1
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
1
LIGHT WAVES
9
9
9
-
2
2
3
4
1
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
7
8
9
L
=
3
-
5
LIGHT
56
29
2
-
-
-
-
-
-
-
-
-
W
=
5
-
5
WAVES
70
25
7
-
-
-
-
-
-
-
-
-
-
-
14
-
10
-
126
54
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
LIGHT WAVES
-
-
-
-
1
2
3
4
5
7
8
9
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
-
S
=
1
10
1
S
19
10
1
-
1
-
-
-
-
-
-
-
T
=
2
5
1
T
20
2
2
-
-
2
-
-
-
-
-
-
L
=
3
1
1
L
12
3
3
-
-
-
3
-
-
-
-
-
V
=
4
8
1
V
22
4
4
-
-
-
-
4
-
-
-
-
W
=
5
6
1
W
23
5
5
-
-
-
-
-
5
-
-
-
E
=
5
9
1
E
5
5
5
-
-
-
-
-
5
-
-
-
G
=
7
3
1
G
7
7
7
-
-
-
-
-
-
7
-
-
H
=
8
4
1
H
8
8
8
-
-
-
-
-
-
-
8
-
I
=
9
2
1
I
9
9
9
-
-
-
-
-
-
-
-
9
-
-
45
-
10
LIGHT WAVES
126
54
45
-
2
2
3
4
10
7
8
9
-
-
6+5
-
1+0
-
1+2+6
5+4
5+4
-
-
-
-
-
1+0
-
-
-
-
-
9
-
1
LIGHT WAVES
9
9
9
-
2
2
3
4
1
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
9
-
1
LIGHT WAVES
9
9
9
-
2
2
3
4
1
7
8
9

 

 

.ONE TWO THREE FOUR 5 SIX SEVEN EIGHT NINE

123 4 5 6789

THE

BALANCING

 

 

THE GREAT WORK

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
5
GREAT
51
24
6
-
-
-
-
-
-
-
-
-
-
W
=
5
-
4
WORK
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
14
-
12
-
151
61
16
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GREAT WORK
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
1
1
T
20
2
2
-
-
2
3
4
-
-
-
-
-
H
=
8
2
1
H
8
8
8
-
-
-
3
4
-
-
-
8
-
E
=
5
3
1
E
5
5
5
-
-
-
3
4
5
-
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
3
4
-
-
7
-
-
R
=
9
5
1
R
18
9
9
-
-
-
3
4
-
-
-
-
9
E
=
5
6
1
E
5
5
5
-
-
-
3
4
5
-
-
-
-
A
=
1
7
1
A
1
1
1
-
1
-
3
4
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
3
4
-
-
-
-
-
W
=
5
9
1
W
23
5
5
-
-
-
3
4
5
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
3
4
-
6
-
-
-
R
=
9
11
1
R
18
9
9
-
-
-
3
4
-
-
-
-
9
K
=
2
12
1
K
11
2
2
-
-
2
3
4
-
-
-
-
-
-
-
61
-
12
THE GREAT WORK
151
61
61
-
1
6
36
48
15
6
7
8
18
-
-
6+1
-
1+2
-
1+5+1
6+1
6+1
-
-
-
3+6
4+8
1+5
-
-
-
1+8
-
-
7
-
3
THE GREAT WORK
7
7
7
-
1
6
9
12
6
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
7
-
2
THE GREAT WORK
7
7
7
-
1
6
9
3
6
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
3
4
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
-
-
G
=
7
-
5
GREAT
51
24
6
-
-
-
-
-
-
-
-
-
-
W
=
5
-
4
WORK
67
22
4
-
-
-
-
-
-
-
-
-
-
-
-
14
-
12
-
151
61
16
7
-
-
-
-
-
-
-
-
-
-
-
-
-
-
THE GREAT WORK
-
-
-
-
1
2
3
4
5
6
7
8
9
A
=
1
7
1
A
1
1
1
-
1
-
3
4
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
3
4
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
3
4
-
-
-
-
-
K
=
2
12
1
K
11
2
2
-
-
2
3
4
-
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
3
4
5
-
-
-
-
E
=
5
6
1
E
5
5
5
-
-
-
3
4
5
-
-
-
-
W
=
5
9
1
W
23
5
5
-
-
-
3
4
5
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
3
4
-
6
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
3
4
-
-
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
3
4
-
-
-
8
-
R
=
9
5
1
R
18
9
9
-
-
-
3
4
-
-
-
-
9
R
=
9
11
1
R
18
9
9
-
-
-
3
4
-
-
-
-
9
-
-
61
-
12
THE GREAT WORK
151
61
61
-
1
6
36
48
15
6
7
8
18
-
-
6+1
-
1+2
-
1+5+1
6+1
6+1
-
-
-
3+6
4+8
1+5
-
-
-
1+8
-
-
7
-
3
THE GREAT WORK
7
7
7
-
1
6
9
12
6
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
1+2
1+2
-
-
-
-
-
-
-
7
-
2
THE GREAT WORK
7
7
7
-
1
6
9
3
6
6
7
8
9

 

 

-
-
-
-
-
-
-
-
-
-
1
2
5
6
7
8
9
T
=
2
-
3
THE
33
15
6
-
-
-
-
-
-
-
-
G
=
7
-
5
GREAT
51
24
6
-
-
-
-
-
-
-
-
W
=
5
-
4
WORK
67
22
4
-
-
-
-
-
-
-
-
-
-
14
-
12
-
151
61
16
7
-
-
-
-
-
-
-
-
-
-
-
-
THE GREAT WORK
-
-
-
-
1
2
5
6
7
8
9
A
=
1
7
1
A
1
1
1
-
1
-
-
-
-
-
-
T
=
2
1
1
T
20
2
2
-
-
2
-
-
-
-
-
T
=
2
8
1
T
20
2
2
-
-
2
-
-
-
-
-
K
=
2
12
1
K
11
2
2
-
-
2
-
-
-
-
-
E
=
5
3
1
E
5
5
5
-
-
-
5
-
-
-
-
E
=
5
6
1
E
5
5
5
-
-
-
5
-
-
-
-
W
=
5
9
1
W
23
5
5
-
-
-
5
-
-
-
-
O
=
6
10
1
O
15
6
6
-
-
-
-
6
-
-
-
G
=
7
4
1
G
7
7
7
-
-
-
-
-
7
-
-
H
=
8
2
1
H
8
8
8
-
-
-
-
-
-
8
-
R
=
9
5
1
R
18
9
9
-
-
-
-
-
-
-
9
R
=
9
11
1
R
18
9
9
-
-
-
-
-
-
-
9
-
-
61
-
12
THE GREAT WORK
151
61
61
-
1
6
15
6
7
8
18
-
-
6+1
-
1+2
-
1+5+1
6+1
6+1
-
-
-
1+5
-
-
-
1+8
-
-
7
-
3
THE GREAT WORK
7
7
7
-
1
6
6
6
7
8
9
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
7
-
2
THE GREAT WORK
7
7
7
-
1
6
6
6
7
8
9

 

 

GOD ONE GOD

AND ONE CHOSEN RACE THE HUMAN RACE

 

 

HOLY BIBLE

Scofield References

C 1 V 16

THE ACTS OF THE APOSTLES

Page 1148 (Part quoted)

"MEN AND BRETHREN THIS SCRIPTURE MUST NEEDS HAVE BEEN FULFILLED

WHICH THE HOLY GHOST BY THE MOUTH OF DAVID SPAKE"

 

 

THE

PROPHET

Kahil Gibran

Page 82/83/84/85/86

"If these be vague words, then seek not to clear them.

Vague and nebulous is the beginning of all things, but not their end,

And I would have you remember me as a beginning.

Life, and all that lives, is conceived in the mist and not in the crystal.

And who knows but a crystal is mist in decay

This would I have you remember in remembering me:

That which seems most feeble and bewildered in you is the strongest and most determined.

Is it not your breath that has erected and hardened the structure of your bones?

And is it not a dream which none of you remember having dreamt, that builded your city and fashioned all there is in it?

Could you but see the tides of that breath you would cease to see all else,

And if you could hear the whispering of the dream you would hear no other sound.

But you do not see, nor do you here, and it is well.

The veil that clouds your eyes shall be lifted by the hands that wove it,

And the clay that fills your ears shall be pierced by those fingers that kneaded it.

And you shall see

And you shall hear.

Yet you shall not deplore having known blindness, nor regret having been deaf

For in that day you shall know the hidden purposes in all things,

And you shall bless darkness as you would bless light.

After saying these things he looked about him,

and he saw the pilot of his ship standing by the helm

and gazing now at the full sails and now at the distance.

And he said:

Patient, over patient, is the captain of my ship.

The wind blows, and restless are the sails;

Even the rudder begs direction;

Yet quietly my captain awaits my silence.

And these my mariners, who have heard the

choir of the greater sea, they too have heard me

patiently.

Now they shall wait no longer.

I am ready

The stream has reached the sea, and once more

THE GREAT MOTHER

holds her son against her breast.

Fare you well, people of Orphalese.

This day has ended.

It is closing upon us even as the water-lily upon its own tomorrow.

What was given us here we shall keep,

And if it suffices not, then again must we come together and together

stretch our hands unto the giver.

Forget not that I shall come back to you.

A little while, and my longing shall gather dust and foam for another body.

A little while, a moment of rest upon the wind, and another woman shall bear me.

Farewell to you and the youth I have spent with you.

It was but yesterday we met in a dream.

You have sung to me in my aloneness, and I of your longings have built a tower in the sky.

But now our sleep has fled and our dream is over, and it is no longer dawn.

The noontide is upon us and our half waking has turned to fuller day, and we must part.

If in the twilight of memory we should meet once more,

we shall speak again together and you shall sing to me a deeper song.

and if our hands should meet in another dream we shall build another tower in the sky.

So saying he made a signal to the seamen,

and straightaway they weighed anchor and cast the ship loose from its moorings, and they moved eastward.

And a cry came from the people as from a single heart,

and it rose into the dusk and was carried out over the sea like a great trumpeting.

Only Almitra was silent, gazing after the ship until it had vanished into the mist.

And when all the people were dispersed she still stood alone upon the sea-wall,

remembering in her heart his saying:

A little while, a moment of rest upon the wind, and another woman shall bear me.'

 

 

A
=
1
-
1
A
1
1
1
L
=
3
-
6
LITTLE
78
24
6
W
=
5
-
5
WHILE
57
30
3
A
=
1
-
1
A
1
1
1
M
=
4
-
6
MOMENT
80
26
8
O
=
6
-
2
OF
21
12
3
R
=
9
-
4
REST
62
17
8
U
=
3
-
4
UPON
66
21
3
T
=
T
-
3
THE
33
15
6
W
=
W
-
4
WIND
50
23
5
A
=
1
-
3
AND
19
10
1
A
=
1
-
7
ANOTHER
81
36
9
W
=
5
-
5
WOMAN
66
21
3
S
=
1
-
5
SHALL
52
16
7
B
=
2
-
4
BEAR
26
17
8
M
=
4
-
2
ME
18
9
9
-
-
53
-
62
First Total
711
279
81
-
-
5+3
-
6+2
Add to Reduce
7+1+1
2+7+9
8+1
-
-
8
-
8
Second Total
9
18
9
-
-
-
-
-
Reduce to Deduce
-
1+8
-
-
-
8
-
8
Essence of Number
9
9
9

 

 

THE MAGIC MOUNTAIN

Thomas Mann 1875-1955

Page 466

"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement.

 

 

WAY OF THE PEACEFUL WARRIOR

A

BOOK THAT CHANGES LIVES

Dan Millman 1980

Page 44

"...do you recall that I told you we must work on changing your mind before you can see the warrior's way? / Page 45 /

"Yes, but I really don't think. . ."
"Don't be afraid," he repeated. "Comfort yourself with a say­ing of Confucius," he smiled. " 'Only the supremely wise and the ignorant do not alter.' " Saying that, he reached out and placed his hands gently but firmly on my temples.
Nothing happened for a moment-then suddenly, I felt a growing pressure in the middle of my head. There was a loud buzzing, then a sound like waves rushing up on the beach. I heard bells ringing, and my head felt as if it was going to burst. That's when I saw the light, and my mind exploded with its brightness. Something in me was dying-I knew this for a certainty-and something else was being born! Then the light engulfed everything."

 

 

THE WASTE LAND

and other poems 

T. S. Elliot 1940

Page 13

The Love Song of J. Alfred Prufrock

"I AM LAZARUS, COME FROM THE DEAD, COME BACK TO TELL YOU ALL I SHALL TELL YOU ALL"

 

 

THE LURE AND ROMANCE OF ALCHEMY.

A history of the secret link between magic and science

1990
C. J. S.Thompson

Page# 31 / 32

note 1 Julius Ruska ,Tabula Smaragdini 1926

"THE EMERALD TABLE OF HERMES: "

"True it is, without falsehood certain most true.That which is
above is like to that which is below, and that which is below is like
to that which is above, to accomplish the miracles of one thing.
And as in all things whereby contemplation of one, so in all things
arose from this one thing by a single act of adoption.
The father thereof is the Sun the mother the Moon.
The wind carried it in its womb, the earth is the source thereof.
It is the father of all works throughout the world.
The power thereof is perfect.
If it be cast on to earth, it will separate the element of earth
from that of fire, the subtle from the gross.
With great sagacity it doth ascend gently from earth to heaven.
Again it doth descend to earth and uniteth in itself from
things superior and things inferior.
Thus thou wilt possess the brightness of the world, and all
obscurity will fly far from thee.
This thing is the strong fortitude of all strength, for it over-
cometh every subtle thing and doth penetrate every solid substance.
Thus was this world created.
Hence will there be marvellous adaptations achieved of which
the manner is this.
For this reason I am called Hermes Trismegistus because I hold
three parts of the wisdom of the whole world.
That which I had to say about the operation of Sol is completed."

 

 

Freiheit - Keeping The Dream Alive lyrics. From the Original Motion Picture ... In my fantasy I remember their faces The hopes we had were much too high ... www.lyricsmode.com/lyrics/f/freiheit/keeping_the_dream_alive.html


Tonight the rain is falling
Full of memories of people and places
And while the past is calling
In my fantasy I remember their faces

The hopes we had were much too high
Way out of reach but we have to try
The game will never be over
Because we're keeping the dream alive

I hear myself recalling
Things you said to me
The night it all started
And still the rain is falling
Makes me feel the way
I felt when we parted

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one
The game will never be over
Because we're keeping the dream alive

I need you
I love you

The game will never be over
Because we're keeping the dream alive

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The hopes we had were much too high
Way out of reach but we have to try
No need to hide no need to run
'Cause all the answers come one by one

The game will never be over
Because we're keeping the dream alive

The game will never be over
Because we're keeping the dream alive

The game will never be over

Mmm mmm mmm mmm mmm mmm mmm mmm mmm.

 

7
BECAUSE
56
20
2
4
WE'RE
51
24
6
7
KEEPING
67
40
4
3
THE
33
15
6
5
DREAM
41
23
5
5
ALIVE
49
22
4
31
First Total
297
144
27
3+1
Add to Reduce
2+9+7
1+4+4
7+2
4
Second Total
18
9
9
-
Reduce to Deduce
2+9+7
-
-
4
Essence of Number
9
9
9

 

 

THE HOPES WE HAD WE'RE MUCH TWO HIGH WAY OUT OF REACH BUT WE HAVE TO TRY

NO NEED TO HIDE NO NEED TO RUN 'CAUSE ALL THE ANSWERS COME ONE BY ONE

THE GAME WILL NEVER BE OVER BECAUSE WE 'RE KEEPING THE DREAM ALIVE

 

 

AND

GOD

FORMED

HUMMANKIND OF THE DUST OF THE UNIVERSE

AND

BREATHED INTO THEIR NOSTRILS

THE BREATH OF LIFE

AND

HUMANS BECAME LIVING SOULS

973AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA973

ISISISISISISISISISISISIS919919919919ISISISISISISISISISISISIS

999181818181818181818AZAZAZAZAZAZAZAZAZAZAZ818181818181818181999

122333444455555666666777777788888888999999999888888887777777666666555554444333221

999999999AUMMANIPADMEHUMAUMMANIPADMEHUMAUMMANIPADMEHUM999999999

PERFECT DIVINE LOVE PUREST LIVING LIGHT THAT LIGHT LIVING PUREST LOVE DIVINE PERFECT

 

 

 
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